Emile Hirsch, Demetri Martin, Ang Lee and his wife Jane Lin in Cannes Film Festival.
Ang Lee, Demetri Martin and Emile Hirsch (in tuxedos) in Cannes.
"Taking Woodstock", Lee's Cannes Film Festival entry, presents a loving glimpse of the behind-the-scenes hijinks that resulted in the gloriously sloppy music fest.
Woodstock "has a symbolic meaning to me. It's the innocence of a young generation departing from the old establishment and trying to find a more refreshing way, more fair way, to live with everybody else," Lee said Saturday before the Cannes premiere of "Taking Woodstock". "It was dirty, filthy. It was actually a mess," said Lee, a best-director Academy Award winner for "Brokeback Mountain."
Ang Lee with Jake Gyllenhaal at the premiere of "Brokeback Mountain", on 29th November, 2005, in L.A.
Emile Hirsch and his girlfriend Brianna Domont."Taking Woodstock" also features Emile Hirsch, Liev Schreiber, Imelda Staunton and Henry Goodman.
It's Lee's lightest film since the mid-1990s, when he made the romances "Sense and Sensibility," "Eat Drink Man Woman" and "The Wedding Banquet."
The project landed on Lee's desk by chance while he was promoting his last film, the dark World War II-era spy thriller "Lust, Caution." Tiber was the guest following Lee on a San Francisco TV talk show. The two talked a bit and Tiber gave Lee a copy of his book.
"I was yearning to do a comedy-slash-drama again without cynicism," Lee said. "It took me a long way to get there. I thought after 13 years, I sort of earned the right to do it, just be relaxed, be happy and at peace with myself and everybody else."
Source: www.huffingtonpost.com
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