"So you're the movie critic for The Times” says Kirsten Dunst, sounding a tad too surprised for comfort. “Er, yes,” I chortle. “Cool” she breezes. “Your job is sooo hard.”
There is an awkward pause while we digest this touching moment of A-list pity. “I can't imagine what it must be like sitting in a room full of critics,” shudders the 26-year-old star. “I'm not into that kind of negative energy whatsoever.”
The sensible question to ask Miss Dunst at this painful juncture is “So what on earth are you doing here?” We are in a caravan on the film set of How to Lose Friends & Alienate People - a romantic comedy about an aspiring British critic who falls hopelessly in love with Dunst in New York. But there's a thundering knock on the door and Simon Pegg noisily enters and plonks himself on the banquette next to her.
Young's set visits have apparently been legendary. “In true Toby fashion he did not enamour himself to us all,” says Woolley with wonderful tact. “I love Toby. He's a good guy. He's a genuine larger-than-life character, and he's got honesty and balls. But he's also got some form of Tourette's syndrome where he says the wrong thing at the wrong time. If the phrase, ‘He is his own worst enemy' was coined for anyone, it is Toby.”
"Some movies just stay on the screen when they are through, but Nick and Norah’s Infinite Playlist transcends that norm as its radiant truth and naturalistic approach cuts deep through our toughest layer of skin that isn’t penetrated very easily.The outcome hasn’t been demonstrated since Almost Famous captivated our emotions in 2000. Each film has similar main characters. Each boy is normal in his appearance but are thrown into a world where some rock-stars and rich men would kill for. It’s with these characters that each film bases their whole premise around; simple and loveable. You can’t teach that in acting school.
There comes a time when a movie achieves intimacy with its audience, and hence, that is how it acquires greatness. First time director Peter Sollett, adapting from a Cohn and Levithan novel, creates magic. He manages to establish a strong enough bond (strongest since Brokeback Mountain) that allows us to realize what we are watching is not only comedy done to perfection but it can also double as high end drama; almost like a monk who reaches his highest pinnacle during his religious learning’s. When comedy can do this, it is hard to beat.
Blatantly breaking away from the infectious raunchy humor which we came to call ‘comedy’ comes something out of defiance towards that; a movie that was made from the purest of heart with mounting intentions to create peace and harmony amongst every character. Nick and Norah desperately disregards any traits involving vulgar sex, terrible language and did I mention sex? What Sollett forays into is a movie world where sex isn’t on everyone’s mind. The lone thing that is on everyone’s mind is making the other person smile".
"The actors, of course, are all way better-looking than I imagined the characters in the book, but they all suit the roles beautifully in personality and make each character their own. I love that Michael Cera's Nick is a bit darker than earlier characters he's played, and that he's not the lovable dork who doesn't think he can get the girl -- he's a guy that's obsessing over the wrong ex-girlfriend, maybe, but he's already loved and lost the hot girl, and now can move on to trying a more mature relationship with a new girl, Norah. Which brings me to Kat Dennings. If you don't completely fall in love with her as Norah, I kind of want to start a fight with you". Source: blog.myspace.com
"There is, then, something unintentionally ironic about the word “infinite” in the film’s title. That word is supposed to imply, I guess, that that magical moment can go on forever—that the point in time where one is so in love that one just wants to make mix tapes for the other person doesn’t have to fade. There’s another word for being stuck infinitely in the same place. That word is hell. [...] Because despite Norah finally finding a guy that will bring her to orgasm and despite Nick finding a girl who will listen to and appreciate his mix tapes and despite Caroline’s relief that this time when she woke up from passing out the strange guys in the van she found herself in were not trying to rape her and despite the glee of an auditorium full of fans who would give their right pinkie to share a vomit flavored wad of gum with Kat Dennings or Michael Cera there was a sheen of sadness that permeated from the very pores of this film". Source: lookingcloser.wordpress.com
Michael Cera in "Nick & Norah's Infinite Playlist". ''I don't really think of it as a movie about being a teenager,'' says Cera, whose character, Nick, is a Yugo-driving aspiring rocker recently dumped by his girlfriend (Alexis Dziena). ''It's just about that feeling you get when you meet someone you like one night, and how you run the risk of easily losing touch with them forever.'' Dennings agrees. ''Yeah, there's always that threat in this movie,'' she says. ''They don't know each other's last names, and might not even meet again on Facebook!'' Source: www.ew.com
Kat Dennings with guitar.
"Femme fatale Jenny Lewis has never sounded so passionate and her songs never so hard-hitting and acerbic as on her aptly titled solo disk Acid Tongue. The album follows 2006’s Rabbit Fur Coat (which Spin named among the best albums of that year) and a series of acclaimed albums with indie rock fave Rilo Kiley". Source: indiepassion.blogspot.com Jenny Lewis with Jake.