"Reese Witherspoon and Jake Gyllenhaal are reportedly living together in Notting Hill.
Witherspoon, who finalised her divorce from Ryan Phillippe earlier this month, is keen to spend more time with the Brokeback Mountain actor, according to US reports.
A source said: "[Reese] loves England and has been really looking forward to spending this time living with Jake."
Gyllenhaal is apparently residing in a £1.9 million property in West London. He is currently filming scenes for his new movie Prince of Persia: The Sands Of Time". Source: www.digitalspy.co.uk
"I walked into a honkey tonkey just the other day I droped a nickle in the juke box just to hear it play I didnt have no tune in mind, I didnt wait to choose Just droped a nickle in the slot and I played the juke box blues
Theres a guy in there with an old tin horn And a feller on an old banjo, and the man of the fiddle He wasn't no slouch he could really drag that bow Well, the man on the fiddle he must have got tired I didnt hear him say, 'cause he cut loose on the steel guitar And the juke box ran away And I've herd something going strong It must have been a drum It gave that song a solid beat Boy it was goin' some
I walked into a honkey tonkey just the other day I droped a nickle in the juke box just to hear it play I didnt have no tune in mind, I didnt wait to choose Just droped a nickle in the slot and I played the juke box blues
I've played alot of juke boxes, most everyone in town That's the first tune I've ever heard That can make one night surround Play the juke box blues, such a rythum I've never heard I danced out both of my shoes"
"Walk the Line" soundtrack
"Norma and Arthur Lewis, a suburban couple with a young child, receive a simple wooden box as a gift, which bears fatal and irrevocable consequences. A mysterious stranger, delivers the message that the box promises to bestow upon its owner $1 million with the press of a button. But, pressing this button will simultaneously cause the death of another human being somewhere in the world; someone they don't know. With just 24 hours to have the box in their possession, Norma and Arthur find themselves in the cross-hairs of a startling moral dilemma and must face the true nature of their humanity". Source: www.imdb.comFilmmaker Richard Kelly prides himself on thinking so far outside the box that major chunks of the Internet are devoted to deconstructing his intentionally murky movies. His desire to bewilder has earned him a certified cult classic (2001's Donnie Darko) and an unmitigated flop (2007's Southland Tales), but no direct hit.For his third big-screen feat, the 32-year-old USC film-school grad is not only thinking inside the box. He is actually making The Box, complete with his first major studio (Warner Bros.) and an A-list star (Cameron Diaz) on board.God bless Cameron Diaz. The second she signed on, our lives changed in a great way", Kelly says on location at NASA's Langley Research Center. Wrapping up the film's final week, he spent a long day shooting inside a cavernous wind tunnel and atop a gantry, a 240-foot-high erector-set-style structure once used to train Apollo astronauts.
Unlike his previous efforts, the sci-fi-tinged thriller is a breeze to summarize. Its plot hook is inspired by a 1986 Twilight Zone episode that haunted Kelly as a kid: A couple (Diaz and James Marsden) open their door to find a box containing a button. If they push it, they will receive $1 million. The catch? Someone they don't know will die."We made Donnie Darko when we were 25, so obviously that has an innocence about it," he says of his unnerving high-school fable made with producer pal Sean McKittrick. The political satire Southland Tales, on DVD March 18, "is punk rock and rebellious. We love that about it." Still, the film was barely in theaters, grossing only $273,420 on a nearly $18 million budget. "There is no place for small movies to catch fire," he says. "We got with Warner Bros. as a means of survival."
He is ready to go commercial. "With The Box, I hope to make a more mainstream popcorn film."
Of course, nothing is ever quite that simple in a Richard Kelly film. Richard Matheson's original 1970 short story, Button, Button, is just a jumping-off point for the $30 million morality tale. Embellishments include '70s kitsch, teleporting and the 1976 Viking mission to Mars.
"We don't feel like we are watering ourselves down," Kelly assures.
The man who delivers the title container? Masterfully creepy Frank Langella. "Richard is in a league of his own," the veteran actor says. "He has sort of an extraterrestrial creature running around in his head. That is what Steven Spielberg was like as a young boy". Source: www.usatoday.com "I watched 'The Prestige' on a little box that can show moving pictures on a bright screen, the same little box that I am now using to display the words I am typing, words that I can effortlessly move around by pushing a button and spinning a ball. It is powered by alternating current. Alternating current was developed by Nikola Tesla".The duplication machine in 'The Prestige' is miraculous, yes. But it is really no more impressive than any of the miracles Tesla did bring about. We now take those for granted, so the story invents a new one, one by which we will be appropriately awed, the way we should be awed every time we turn on the radio".
"Looks like things are heating up between Reese Witherspoon and Jake Gyllenhaal with a full English breakfast on the menu.
According to US reports Witherspoon, 32, has slipped under our radar and has moved in to Jake’s London home – yes London, in Notting Hill!
Brokeback Mountain’s Jake, 27, is reportedly filming scenes from his new film Prince of Persia: The Sands of Time over here.
Apparently she has taken a four month break to be with her man with one mole revealing, she ‘loves England and has been really looking forward to spending this time living with Jake.’
Now Jake Weird has a new affiliate with Seth Rogen Online, devoted to this funny Canadian actor who starred in "Knocked up" as Ben Stone. Watch this video dedicated to Mr. Rogen (with scenes of him in "Knocked up", "The 40 years old virgin" and "Superbad"):
"Jake Gyllenhaal has quietly moved into Reese Witherspoon’s $5 million L.A. home, reports Us Weekly.
“Jake keeps his things at Reese’s house and uses it at his home base most of the time,” an insider reveals. “They literally don’t want to spend any time away from each other.”
But with Reese’s daughter Ava, 8, and son Deacon, 3, the couple has to be careful.
“Reese is very content with where things are right now,” a Witherspoon pal says. “She has her career, her kids and a fantastic relationship. [And] she has been careful to work in Jake into her childrens’ lives slowly. She knows her kids already have a daddy.” Source: Justjared.buzznet.com
"Unfortunately, most of the folks trying to make indie movies these days, as was revealed at my film financing panel Saturday (including producer Cathy Schulman, ICM's Hal Sadoff and New Bridge Capital's Danny Mandel), seem to be trying to make genre thrillers with someone on the list of not-too-costly actors between the age of 20 and 30 who foreign sales agents want to sell in territories around the world (where interest in American product seems to be drying up). Quality dramas are a no-go, said Schulman, although that's what she's trying to make at Mandalay Indie. And the surviving specialty distribs are strictly cherry-picking. You might get your movie made. But it might go straight-to-video. And it wouldn't be worth as much as it might have been a few years ago. [...] I know I don’t have to repeat all the ways that the independent film business is in trouble. But I’m going to do it anyway—because the accumulation of bad news is kind of awe-inspiring:
1: Picturehouse and Warner Independent have been shut down.
2: New Line’s staff was cut by 90 percent, and the survivors were sent to hell...I mean...Burbank.
3: Paramount Vantage was folded into the mother ship (this one may not be all bad news, by the way, but it still scares the hell out of independent film people).
4: Sidney Kimmel shrunk his company in half.
5: ThinkFilm is being sued for not paying its advertising bills, even as the unions repeatedly close down their David O. Russell production with the prophetic title “Nailed” for failure to meet weekly payroll.
6: Another five companies are in serious financial peril. And those are only the ones I’m sure of.
7: The $18 billion that Wall Street poured into Hollywood over the past four years has slowed to a trickle, and shows no signs of being replaced at even remotely the same levels from any new source.
8: There’s a glut of films: 5000 movies got made last year. Of those, 603 got released theatrically here. And there’s not room in the market—as there used to be—for even 400 of those.
Maybe there’s room for 300. So everything else just dies. Most of these pictures are pre-ordained flops from independent distributors who forgot that their odds would have been better if they’d converted their money into quarters and taken the all-night party bus to Vegas.
9: Advertising costs have radically outpaced inflation even as media delivery of audiences falls through the floor. So movie companies now enjoy the privilege of paying way more to be far less effective marketers.
10: Movies now routinely fight with really compelling leisure alternatives that nobody in the last great era of cinema—the 1970s—even imagined: from ipods to Xboxes to tivos to you tubes to the radically improved behemoth that is cable television.
11: The international marketplace may be growing dramatically, but all of that growth is eaten up by studio movies, a couple dozen top independent films, and burgeoning local language productions. Everything else we make in this country doesn’t sell for less—as it has for the past 20-plus years. Now, most American independent films don’t sell at all overseas. I’ve never seen more depressed people in my life than I did in Cannes last month. The phrase “worst market ever” could be heard from every corner. A lot of film market veterans were musing about never coming back. It’s that bad out there.
12: One entertainment industry banker I know believes another 10 independent film financiers will exit the business in the next year. I think he’s low.
And finally, just for bad luck:
13: The average cost of an independent film released theatrically in North America shot up dramatically last year (not as much perhaps as the 60% the MPAA reported for its member companies, but a lot nonetheless). And this of course makes it a hell of a lot harder to break even or squeak out a small return and stay in business".
Maggie Gyllenhaaal, Peter Sarsgaard and their adorable daughter Ramona enjoyed a sunny afternoon in Venice, California yesterday. Since, The Dark Knight is set to release soon, I imagine we'll be seeing a lot more of Maggie and her family. Have to admit I am EXTREMELY excited about the new Batman movie. Christian Bale owns a little piece of my heart.
-Joe Nast: I think you have some mail here. -Bertie: You think? -I mean that I'm that I'm looking for. -Any thing special you had in mind? -Wedding invitations. -You want'em back? -I do. -What did you forget to lick the stamps? All right. Joe Nast: [voiceover] Dear Bertie, You asked me before where I went. And I want to tell you. I went to a place where nothing's right, where every moment's backwards, every sky's without colour, without hope. I tried to come back, Bertie. But I got lost. And while I was gone, I met you. And I didn't even have the courage to realize I was home. A wise friend of mine told me "we all have our homes", and now I know it's true. I hope you get this letter, Bertie. I figure I got 75 chances. Cause if you do you'll know that in the end, that's where I was. I found home, Bertie. I found you. I hope you can find your's soon. Get there - as fast as you can. And write me when you do. Love, Joe"."This is just Beck, deadpanning, crooning, and growling against stately arrangements and insinuating melodies. The strings are straight out of Madman Across the Water (a nod to Paul Buckmaster, who also put his stamp on The Stones' "Moonlight Mile"), the pedal steel is pre-alt-country country, and the vocals channel John Martyn and Nick Drake". Source: www.hachettebookgroupusa.com
"Although rodeos, horses, and cattle percolate through the film, Brokeback does not fit the classic American Western movie storyline. From the films of William S. Hart and Tom Mix down through Gary Cooper in The Virginian and High Noon, John Wayne in Stagecoach, Alan Ladd in Shane, and Clint Eastwood in The Unforgiven, the Western hero wears a cowboy hat, rides a horse, and carries a gun. His ultimate goal is to save the good folks from the bad guys, and he always succeeds. Brokeback, of course, is not like these films at all. Jack Twist and Ennis Del Mar are not engaged in the Westerner’s project of vanquishing evil. In fact, Ang Lee’s film more closely resembles the stories of such star-crossed lovers as Abelard and Heloise, Tristan and Isolde, and Romeo and Juliet. More interestingly, it fits a narrative pattern common in the nineteenth-century operas of Bellini, Donizetti, Verdi, and Wagner.
Ennis learns through a returned postcard that Jack is dead. Jack’s wife tells him what we’re meant to regard as a false explanation of Jack’s death; for we’re shown a scene lasting only a few seconds of screen time in which a man is brutally attacked by men wielding tire irons. Later Jack’s father denies Ennis’s request to bury Jack’s ashes on Brokeback mountain. All Ennis has left is the jacket and shirt Jack’s mother kindly has given him. And he lives out his live in his small trailer, alone, as if entombed. Thus Brokeback closes, not with a triumphant love duet, but with an enormously sad aloneness. Still, if the film does not end with the standard triumph of love, it ends with love sustained, as Ennis, caressing Jack’s shirt and jacket, tears up and speaks his name aloud: “Jack, I swear …” This is all the Liebestod these star-crossed lovers are allowed". Source: homepage.mac.com"The conversations that Seth and Evan have are so genuine and so quirky, you can't help but respond to what their characters are doing. Everyone has a weird friend like McLovin, though probably not the level of weirdness to which the character goes. Everybody has done something stupid to impress a girl. It's what high school is all about, and "Superbad" is about two guys who have spent their entire high school years doing nothing but 'hanging out', who are finally afford the opportunity to do something that might make them popular, even for a couple of hours. There is an underlying sweetness to the film, especially involving Evan's moving to college and leaving Seth behind. You get the feeling that things are probably going to seriously change after the credits roll in this film. It was just so refreshing to see a film that went non-stop for the laughs, but still managed to provide convincing and likable characters in a storyline that had a little touch of sweetness to it. That's what Judd Apatow does so well with his films, and it evidently rubs off on the films he produces too.
The performances here are rock solid. Jonah Hill and Michael Cera are dead-on as Seth and Evan. I was especially impressed with Cera's performance, who has really developed his own quirky acting style that accounts for a large percentage of the laughs in the film". Source: www.moviesmademe.com
"Kirsten Dunst is in town! You can always tell because we get a bamillion Stalker sightings in the span of a day or two. The wispy and apparently extremely recognizable Spider-Man actress has recently been spotted traipsing around downtown a couple of times and at Madison Square Garden for last FGt's Coldplay concert. She's one of the celebrities heavily favored by our Gawker Stalkers, who all seem to lurk downtown, eyes peeled for some Gen Y famous face. (It probably helps that Dunst was in hipster fantasia Eternal Sunshine of the Spotless Mind.) The stalker emails run the gamut from criticizing Dunst's "pale and sickly," "child prostitute"-esque appearance to saying that she looked super cute in a little black dress. People comment about her, more than other New York celebrities, almost as if they know her (I'm guilty of the same. Nearly bumped into her twice in two days last year and almost said 'hi' the second time out of habit.) Hopefully we're not bothering you, Kirsten, on your little New York jaunts. We just like to peek, it seems. Read the four latest Dunst sightings after the jump.June 23rd @ Coldplay Concert in MSG Kiki Dunst was sitting a few seats away from me.. hunched between 2 tall guys. Her hair looked nice but she's so thin! David Schwimmer and Joey Slotnik were 2 rows down from me rockin' out with 2 gorgeous girls. Totally normal people, even stayed to see if there was an encore! Kiki left as soon as the lights went down. Whatevs.
Kirsten dunst at the beatrice inn on 8th ave and 12th street at12:45am she was dancing at the dj booth and mingling around the place. looked sooo great in a little black dress! when i left she was still there. I saw Kirsten Dunst at Bacaro on Division St on Saturday night about midnight, presumably before she went to beatrice. Poor posture. Seemed to go in and out, maybe to smoke out on the street, or stand with friends who were doing so". Source: gawker.com
"I’m obsessed with water”, Williams says. “The scene in Brokeback Mountain when I open the door and see Heath and Jake kiss? Everyone was outside and I was in this hallway by myself, and I just kept thinking, I want to be like water. I want to slip through fingers, but hold up a ship.”
An open bag of Veggie Booty sits between the seats. This would belong to Matilda Rose Ledger, age two. She is named after the Roald Dahl children’s classic Matilda—a girl born of beastly parents but blessed with magical powers that make her feel as if she’s “flying past the stars on silver wings.”Dressed in black jeans, a button-down shirt, and an argyle sweater, she is boyishly slight. Her features—lips, cheeks, liquid brown eyes—are full. She has only one dimple, there on her right cheek, but what the other cheek lacks, this dimple makes up in depth. Her blond hair is short, in what she considers an awkward growing-out stage, and full of bobby pins. “Bobby pins are my favorite jewelry,” Williams says. “There's nothing sexier than bobby pins.” She gasps suddenly. “That moment in Lolita, when Humbert Humbert is driving into the cow pasture and fingering the bobby pin? Goose bumps!” Even now. Smiling, she pulls up a sleeve revealing her goose-bumped arm.
Her smiles come easily but are complicated, never carefree. “I'm always aware of the whole,” Williams says. “I have that feeling inside, like when something really tickles or delights me—it's not singular. I recognize all the awful things in the world, and in spite of them, I can still laugh.” This hyperawareness has come at a price. “For so long, I felt like a walking open wound everywhere I went,” she says. “There's this Joan Didion quote about being afflicted from an early age with a presentiment of loss. Did I come into the world like that? Or was I kind of gifted that?”Like extrasensory perception, you either have it or you don't. It's a poignant, painful, and appealing quality that cannot be acted. “Your heart just races to her,” says the director Ang Lee, who cast Williams in her Oscar-nominated role in Brokeback Mountain. “I needed that for the part of the dejected wife—the least interesting, dullest part you can imagine. But Michelle in this role—you want to know what happened in her life, clearly a tragic one. You're never told, but you want to find out.”“It was so heartbreaking to watch that not work out,” says the director Todd Haynes, calling later the same day. The couple took roles in I'm Not There, Haynes' experimental Bob Dylan biopic, with Ledger as one of six Dylan incarnates and Williams as the Edie Sedgwicky socialite Coco Rivington. “You can't fault either of them. Really, two of the most extraordinary people,” Haynes continues. “True artists, naked and stripped-down as they approach their craft. Different people with different temperatures and rhythms, exploring themselves.” Source: www.elle.com
Having fun with her co-stars on the Riviera, Michelle Williams proved life goes on after the death of Heath Ledger.
Promoting her new film "Synecdoche New York", the actress laughed alongside Philip Seymour Hoffman, Catherine Keener and Samantha Morton. Source: www.dailymail.co.uk
"Sex without love has its place, and it's pretty cool, but when you have it hand in hand with deep commitment and respect and caring, it's nine thousand times better".-George Carlin.
"Dunst, 25, has been known for the past few years as a party girl who loves her wine and likes to have late night parties at her home". Source: www.celebritysmackblog.com
"Unlike the party-hard Ryan, Jake is a private man who shies away from the spectacle of Hollywood. And, like Reese, he loves to spend time at home, walking his dogs and staying in shape. "Jake is everything Ryan isn't — he's grounded, he's a family man, he loathes the party scene and, most important, he's a one-woman guy", says an insider". Source: www.feedsfarm.com
"Love Will Tear Us Apart" Written and Performed by Joy Division (from their hits album Substance) ~ Courtesy of Warner Music U.K. Ltd. "This song can also be heard during Donnie and Elizabeth's party. It's played right after Donnie lets a distraught Gretchen into the house and into his parents' bedroom as Elizabeth looks on". Source: darcko0.tripod.com/darkosongs.html
Hear no evil, speak no evil - and you'll never be invited to a party” -Oscar Wilde quote.
'These Eyes,' by the Guess Who "This 1969 hit single by Winnipeg's greatest gift to popular music not named Neil Young is what Michael Cera's character Evan was forced to sing at that raucous "older kids' party" in 'Superbad.' His earnest attempt at the classic rock ballad was an awkward and hilarious movie highlight".
In an interview with Movieweb, 'Superbad' director Greg Mottola admitted the 38-year-old song did seem to be a strange choice to include in a picture about and geared to the sensibilities of today's teenagers, but ultimately he went with it because, as he wisely pointed out, "classic rock never goes away." Other possibilities for the scene were filmed, included Cera performing Sisqo's 1999 hit 'The Thong Song' and one where Cera just danced rather than sang. But in the end, by going with 'These Eyes,' Mottola made a successful wager that young teen audiences would relate to the timelessness of the tune". Source: www.spinner.com "In many ways Superbad is our generation’s American Graffiti. Like George Lucas before him, Superbad is Greg Motolla’s sophomore effort, but both films have far more in common than just that. Thematically and structurally Superbad mirrors the classic 1970s picture. Not only does it accomplish this by having audiences follow the principle characters’ non-linear paths over the course of one life changing night, but both films hold true the ideals that will forever dominate the male adolescent mind. These principles, which are quite primal in their nature, are girls, booze and sex. Simply put, these basic themes help make Superbad one of the most accessible films ever made". Source: www.moviepulse.net
Jake told his sister Maggie during filming "Mona Lisa smile" (2003) he had felt a long time crush with Kirsten Dunst. Donnie Darko confessed to Dr. Lilian Thurman he had a crush with: Christina Applegate, who played Kelly Bundy in "Married with Children" (1987).Michael Cera's teen crush was: "Michael's crush growing up was Kelly Kapowski on Saved by the Bell (1989-93), played by Tiffani Thiessen" source: michaelcerasource.net/facts.Joseph Gordon-Levitt's kid crush was:Julia Stiles in "10 Things I Hate About You" (1999) as Kat Stratford.
Oh wait, Kirsten Dunst is dating someone named Matt Creed! Phew! I thought she had a relapse and started drinking again! We spotted Kiki and new boy toy Matt Creed (who is a DJ that probably does not spin faintly Christian crap rock) walking in NYC this afternoon. Upon googling this young man's name, the first page that came up was "Matt's Creed Page." Hosted by Angelfire, this old chestnut of a website is still some how kicking around...you can even listen to Real Audio files from the Human Clay album! Aww, remember when the internets used to be so simple? Source: infdaily.buzznet.com