WEIRDLAND

Thursday, January 27, 2011

Jake Gyllenhaal at Golden Globes, some classics that didn't receive Oscars

James Franco and Anne Hathaway will be the hosts of the Academy Awards 2011 ceremony
Anne Hathaway with Jake Gyllenhaal at the 68th Annual Golden Globe Awards, on January 16, 2011
Christopher Nolan (overlooked by this year's Oscars nominations for Best Director) and Jake Gyllenhaal at the 68th Annual Golden Globe Awards, on January 16, 2011
Jake Gyllenhaal sitting between Catherine Zeta-Jones (Oscar Winner as Best Actress in a Supporting Role for "Chicago") and Jenny Lewis

"One popular story is that Academy librarian Margaret Herrick said the statue looked like her uncle Oscar. A journalist apparently overheard this conversation and used the phrase in an article. The first time it is thought to have been used in print was when columnist Sidney Skolsky used it to describe Katherine Hepburn's first best actress win in 1934.
The Academy officially adopted the nickname in 1939. The trophy was designed by MGM art director Cedric Gibbons. Since its inception 2,530 Oscars have been handed out.
Frank Sinatra and Donna Reed, both Oscar winners for "From Here to Eternity", flank Mercedes McCambridge in the Oscars 1954 ceremony

In support of the war effort, the Academy handed out plaster Oscar statuettes during WWII. After the war, winners exchanged the plaster awards for the real thing. While many of the biggest films and movie-makers have been honoured by the Academy, there is still surprise at those that did not receive any nominations that later went on to become classics.
Humphrey Bogart failed to win an Oscar for Casablanca
Among the overlooked films were Hobson's Choice, Dirty Harry, The 39 Steps, The Searchers and King Kong. Actors that failed to win for their iconic roles included Al Jolson in the Jazz Singer (1927), Humphrey Bogart in Casablanca (1944), Gene Kelly in Singing in the Rain (1952) and Henry Fonda in 12 Angry Men (1957)". Source: news.bbc.co.uk

"No strings attached" (Natalie Portman and Ashton Kutcher), dating sites in London


"No strings attached" extended trailer with Natalie Portman and Ashton Kutcher, directed by Ivan Reitman

Natalie Portman and Ashton Kutcher at the premiere of "No Strings Attached" held at the Regency Village Theatre in Los Angeles on 11th January 2011

Still of Barbara Hershey and Natalie Portman in "Black Swan" (2010)

"Natalie Portman, already up for an Oscar for her most recent film "The Black Swan", stars alongside Ashton Kutcher in this lighthearted romantic comedy.
Still of Natalie Portman and Greta Gerwig in "No strings attached"

Emma (Portman) is a doctor/workaholic who is driven by her independent attitude and the need to be strong and emotionally detached. Adam (Kutcher) is an aspiring screenwriter with a famous good-for-nothing father who lives life on a whim and a smile, depending on his good heart to guide him through the rough patches in life. Life leads the two to numerous run-ins until an emotional plug is pulled in Adam's life. His father is dating his ex-girlfriend, or as his friend likes to put it, they are now "tunnel buddies." Source: media.www.therotundaonline.com

"Kutcher and Portman have terrific screen physics, using their 12-inch height difference to considerable slapstick effect. He is a galumphing hulk who comes to heel when the munchkin barks at him. Do they have chemistry? Not exactly. But both are such gorgeous animals that their couplings are frisky fun without being sexually explicit.
With laser rather than scalpel, Meriwether's script dissects dating in the post-courtship era. Professionally driven Emma and roommates (hilarious Greta Gerwig as Patrice and Mindy Kaling as Shira) are overworked doctors lacking the time to get to know guys other than biblically. Veterans of keggers, these gals are not fluent in the dead language of dating.
Thus Patrice's "Eureka!" expression when a date opens her car door for her is priceless, like that of the cavewoman who invented the wheel. Thus Adam's horizon-scanning gaze as he takes Emma on a date is like that of Magellan circumnavigating a relationship". Source: articles.philly.com

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Wednesday, January 26, 2011

Official poster of "Source Code", "Love and other drugs" in DVD and Blu-Ray

Poster of "Source Code" (2011)

"Is Jake running away from the Airbrush Monster because he’s barely recognizeable in this poster. Secondly, all those pictures floating in the background make it seem as if he’s running away from bad memories, which makes sense but it seems kind of lazy. They could have illustrated it in a better way by focusing more on the time traveling element.
Source Code centers on a decorated soldier Captain Colter Stevens (Gyllenhaal) wakes up in the body of an unknown man, he discovers he’s part of a mission to find the bomber of a Chicago commuter train. In an assignment unlike any he’s ever known, he learns he’s part of a government experiment called the “Source Code”, a program that enables him to cross over into another man’s identity in the last 8 minutes of his life.Jake Gyllenhaal and Michelle Monaghan play Colter Stevens and Carol Goodwin in "Source Code" (2011)

With a second, much larger target threatening to kill millions in downtown Chicago, Colter re-lives the incident over and over again, gathering clues each time, until he can solve the mystery of who is behind the bombs and prevent the next attack.

Source Code opens in theaters on April 1". Source: screencrave.com

Special features include:
Funny Extended Deleted Scenes
An Actor’s Discussion: Relationship between Jake Gyllenhaal and Anne Hathaway
Beautifully Complex: Anne Hathaway discribes Maggie
Reformed Womanizer: Jake Gyllenhaal is Jamie
Selling Love & Other Drugs
Digital Copy
LOVE & OTHER DRUGS Blu-ray Disc Extras:
Funny Extended Deleted Scenes
An Actor’s Discussion: Relationship between Jake Gyllenhaal and Anne Hathaway
Beautifully Complex: Anne Hathaway discribes Maggie
Reformed Womanizer: Jake Gyllenhaal is Jamie
Selling Love & Other Drugs
Digital Copy

Twentieth Century Fox Home Entertainment presents the romantic drama LOVE & OTHER DRUGS, arriving on Blu-ray and DVD on March 1st, 2011. Source: www.blu-raydefinition.com

Lovers Jump by Mark McCombe, starring Laurence Fuller

I've enjoyed a lot watching this atmospheric short directed by Mark McCombe, featuring only two characters from a family unit and their talk at a bridge.

Poster of "Lovers Jump" directed by Mark McCombe (2010)

Official Synopsis:
Peter (Laurence Fuller) is wracked with guilt after the death of his mother. He goes to Lover’s Jump bridge and decides that there is only one way to stop his pain.
After receiving Peter’s ominous phone call, his Aunt Sandra (Holly Clark) rushes to the bridge but can she change his mind before it’s too late? Source: www.napiernews.com

Interview to Lovers Jump director Mark McCombe:
-What training have you received?
-We always had a camera in our family. It was a bulky over-the-shoulder camera so I would pester my dad to allow me to use it; thankfully he gave in most times. One thing he used to do was put music to our home videos, which really had an effect on me; music and video is a powerful combination. Imagining ideas set around the foundations of a song, that’s what I love to do. I have a passion for music videos that I intend to pursue.

-What kind of projects attract you?
-A strong story that can draw the audience into the world I am hoping to create. It’s the backbone. You can have all the fancy equipment of a Hollywood studio, but without a good story you have nothing. When something excites me, ideas seem to be plucked from the air with no effort at all; that’s when I know its something special. It becomes part of my thinking throughout the following days and weeks.

-What’s the best advice you’ve been given as a director?
-Get out there and do it, regardless of what kit you have; you achieve nothing waiting around.

-Tell us the most significant moment in your career so far.
-I’m hopefully right at the beginning of my career, so completing Lover’s Jump was a great achievement for myself and for everyone else involved. Thinking back to when I asked Jenny [Wong] if she would mind me directing her script right through to completion then finally seeing people’s reactions has been extremely rewarding. From its very humble beginning it has blossomed into a project that shows off the talents of everyone involved.

-You’ll die happy when…
-I’d love to make the feature I have penned myself and see people enjoy it; a lot to ask but, hey, life is full of surprises. Source: www.moviescopemag.com


Laurence Fuller is a young, established method actor working in London. He trained at Bristol Old Vic Theatre School in 2007 after fellow alumni Jeremy Irons and Daniel Day-Lewis, similarly known for their physical transformation. After three years in British theatre and over twenty theatre productions, he became an international film actor at 21, with leading roles in such movies as Possession(s) and Cold Blood Kill.
Laurence Fuller (Lovers Jump) was under consideration for "a brooding misanthropic vampire" in The Twilight Saga: "Breaking Dawn" Part 1. Laurence was recently in the mix for lead roles in Pirates Of The Caribbean 4 (directed by Rob Marshall, starring Johnny Depp and Penelope Cruz), Spiderman 4 (the franchise reboot, directed by Marc Webb) and Vamps starring Sigourney Weaver for Ben Stiller's company Red Hour Films.

Laurence wraps as the lead on Saman Perera's Old Times, about a dysfunctional relationship which escaltes to a disturbing end, reminicent of modern day Revolutionary Road.
Lucy Luscombe and Laurence Fuller in Old Times

Having attended the Method School of acting in the UK, Fuller has put together an impressive acting CV in both theatre and in short films.
Still of Martin Scorsese in Boardwalk Empire

Laurence was up for a regular role of a gangster in season 2 of Martin Scorsese's Boardwalk Empire for HBO, produced by Mark Walhberg

Possession(s) is the latest of your short films. How would you describe it to Reelloop readers with no knowledge of the project?

Possession(s) is about the connection between a person and a work of art in a very real and un-glorified way. There are no singing angels or holy lights shining through the window. It’s not pretentious about the subject. It’s about a collector and his desire to possess not just this painting but the people around him and trade them like objects. None of the characters are without their flaws. Max Cullen said the script was very Chekhovian in that way, which was pretty savvy.
The film was launched to coincide with the sale of the famous Painting (Man With Bandaged Head) by Peter Booth on November 25th.

Read more about this up-and-coming actor in Source: www.laurencefuller.com

Tuesday, January 25, 2011

The Official Academy Awards Nominations Livestream


Tune in on Jan. 25 at 8:30 AM EST/ 5:30 AM PST for the 83rd Annual Academy Awards nominations announcement.

Scans of Jake Gyllenhaal and Anne Hathway and spoiler scenes in "Love and other drugs"

Scans of Anne Hathaway and Jake Gyllenhaal in "Pantalla Semanal" (Spain) magazine via www.wetdarkandwild.com


Jake Gyllenhaal in Criativa (Brazil) magazine


A video featuring some scenes from "Love and other drugs" (2010), starring Jake Gyllenhaal and Anne Hathway. Warning: some spoiler scenes in it.

Monday, January 24, 2011

Duncan Jones: Jake Gyllenhaal is ridiculously handsome in a very hetero way

Jake Gyllenhaal as Jamie Randall in "Love and other drugs" (2011)

"Jake admits spending time with the man that inspired his character in the film was a unique experience. The star was certainly impressed with Jamie’s social skills, and found him extremely fun to be around.

“He would always grab somebody in restaurants. He would always grab a waitress and ask them where they were from and then I’d come back from the bathroom and he’d know their life story and someone they were related to, it’s crazy,” Jake told Cover Media.
Although Jake’s character in the movie Jamie Randall is fictitious, the Hollywood hunk did add in some of Jamie Reidy’s mannerisms. Jake was particularly taken with Jamie’s storytelling skills.
“There are so many things that are woven in from Jamie. I spent hours with Jamie recording him, picking up his rhythms, picking up his stories, learning his repetition, “I would give little things like he always goes ‘Really?’, it was a thing he always did in the middle of a story,” recalled the star. Source: www.musicrooms.net

Duncan Jones poses with his best British directoral debut award at the Orange British Academy Film Awards on February 21, 2010 in London

Duncan Jones: There was a couple of things. We had just finished Moon. I wanted to have the opportunity to sort of work out what it’s actually like to work on… not so much a Hollywood film, because this is not a studio film, per se, but I wanted to understand what it was like to work over here and through more of the system. Stewart and I, who’s my producer, we sort of did Moon all ourselves, and it was very much our project. We controlled everything. We made all of the decisions. And I wanted to sort of go through the process over here a little bit and have the chance to work with, you know… Jake was a huge draw to me because I’m a big fan of his. I think he’s a terrific actor. Also ridiculously handsome in a very hetero way, but he’s a good looking guy, and he’s a leading man, you know. He’s a leading guy and I wanted to sort of work with him. I thought it would be really exciting.

We had ended up moving very, very fast, and things came together very fast. And then we got Michelle Monaghan onboard, and Vera Farmiga, and Jeffrey Wright, all of whom were people I really sort of went out to get, and I was so excited when they actually agreed to be involved in the film. I mean I’m a huge Vera fan. I think she’s an amazing actress. And, you know, it’s a real thrill to work with her, as well as the others.
Question: In your own words, what is the movie about?

Duncan Jones: Well, let me tell you. It’s a thriller. It has a couple of science fiction elements, but it’s contemporary and it goes definitely beyond science fiction. It’ s much more, I think, open than that. It’s about a guy who wakes up on a train, doesn’t know how he got there, finds… you’ll see in the first few minutes…finds that he is not who he thinks he is. Let me show the first five minutes of the film and then we can talk about it a bit more.

Question: If I could just do one quick follow-up, when is the first trailer getting released, and when is Summit amping up the promotional end…
Duncan Jones: Love and Other Drugs.

Question: You said that there’s basically three parts to the film. Does that mean that we spend equal number of time or equal number of time in each of those sort of realms, if you will?

Duncan Jones: No, no. The limbo land is kind of the glue between the two main ones, which is the train and then there’s this other environment where Colter finds himself, somewhere that is totally alien to him that he’s never been before. So those are kind of these two main elements, and then the limbo land is what kind of joins those two, from him going back and forth between the two.
Question: Film versus digital and why did you pick which one?

Duncan Jones: We actually… I’m terrible at those kind of choices so we shot on both.[laughter] Source: collider.com

Saturday, January 22, 2011

Optimized cables, neon lights, high definition

"Wire noises came to me and a sharper crackling, thunder somewhere in the mountains"
-"The Lady in the Lake" (1943) by Raymond Chandler.

"I drove on past the gaudy neons ... Great double trucks rumbled down over Sepulveda from Wilmington and San Pedro and crossed towards the Ridge Route, starting up in low from the traffic lights... Behind Encino an occasional light winked... The big eight-wheelers and sixteen-wheelers were streaming north, all hung over with orange lights. No moon, no fuss, hardly a sound of the surf... But the coloured lights fooled you. The lights were wonderful. There ought to be a monument to the man who invented neon lights. So I went to a picture show." -‘The Little Sister’ (1949) by Raymond Chandler

"The cord was plugged into a black cable that wound along the side of the deep dark green boxes in which the orchids grew and festered. He closed his eyes, opened them again in a brief bright stare, and settled back among his cushions". "The Big Sleep" (1939) by Raymond Chandler.

In motion pictures, "alignment" describes the process by which spectators are placed in relation to the characters. The concept is akin to the literary notion of ‘focalization’, Gerard Genette’s term for the way in which narratives may feed story information to the reader through the ‘lens’ of a particular character: "I propose two interlocking functions, spatio-temporal attachment and subjective access, cognate with the concepts of narrational range and depth…” The viewer’s “spatio-temporal alignment” with Marlowe is constant in the film "The Lady in the lake".

"Whatever it is that you pick up from technical books, it is the lens in your mind that causes the camera's lens to see."-Anthony Dod Mantle, Tractatus 4. Wright’s Default View

After addressing the ‘Geach point’, philosopher Crispin Wright concludes: "The expressivist proposal flies rather further than is usually thought". Wright also considers another allegedly Wittgensteinian view, which he dubs “the default view”.

"The South Seas paradise with its electric waves and palm trees is inextricably bound up with the pinball machine it decorates, which is an element of the barroom, the barroom in turn being a piece of the larger whole, the city. -"Hardboiled America: The Masters Of Noir" by Geoffrey O'Brien

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