BIG BLUE EYES (starting obviously with Jake's blue-sky eyes, his sister Maggie, and then Zooey Deschanel, Amanda Seyfried, Emma Stone): Girls listening to music with earphones: Jena Malone, Natalie Portman and Mary Elizabeth Winstead: Intense pouting -Emmy Rossum, Kat Dennings, Kristen Bell, Emma Stone, Zooey Deschanel and Ellen Page-:
Women dressed like femme-fatales: Keira Knightley, Patricia Arquette and Nora Zehetner. More femme-fatales in this video:
"A lot of people know who Illeana Douglas is. Her film and TV credits (Cape Fear, Ghost World, Six Feet Under…) are extensive and fittingly, she’s also no stranger to the web, with her Illeanarama - Supermarket Of The Stars becoming a hit on YouTube and racking up three TV Guide Awards by the end of 2007. As we mentioned a few weeks back, Douglas is coming back to the world of web television this September with the launch of her new IKEA-sponsored show, Easy To Assemble.Tubefilter News: What was it like working with IKEA? Did you have a fair amount of creative freedom? How involved was IKEA’s marketing department in the production?
Illeana Douglas: When Tom Bannister [SXM] came to me and said, “You know I think I found a sponsor for the show,” it was so exciting, and everyone from Illeanarama wanted to do it. It’s like we’re putting together our own little ensemble. Chris Bradlee and and Kyle LaBrache directed Pittsburgh, and then we did Illeanarama because we worked so well together. When I went in to meet Magnus, the head of IKEA marketing, it was one of the funniest meetings I’ve ever had. I pitched the show, and all he kept saying was, “Yah, yah,” and I was like, of course this is how they hook you in and then change everything later. Well, I sent him the script and it came back with only a single note, saying that they loved it. Everyone from IKEA was great, and they all have little cameos in the series. We even cast the real life manager of the store as the manager in the show, he was that perfect. A lot of people from IKEA were in the series, it was crazy. I’ve never had an experience like that.TF News: What was it like filming in the middle of a working store?
Douglas: We had a lot of customers in scenes with me or with Robert Patrick. We incorporated people wandering onto the set. To be able to use the whole store—you know, I’d be doing a scene with Tom Arnold—people were incredibly nice and patient and didn’t seem to mind; it didn’t interfere with anybody’s shopping.
The whole thing is about how I’m desperately trying to get out of show business, but whatever I do it’s following me. The show picks up where Supermarket of the Stars ends, and I’ve come to IKEA to get away. But pretty soon Justine Bateman is coming by, telling shoppers about her new internet chat show called I’m 40 and I’m Bitter, and Jeff Goldblum, and it’s all starting up again.
TF News: For Easy to Assemble, did they run a writers room, or was it all written by you?
Douglas: I wrote all of it. I think of Illeanarama an alter ego of myself. I’m trying to incorporate things I think about and feel: being a woman and living in Hollywood, fame, the whole celebrity angle, relationships with fans. I find that to be very funny. It gives me an ability to comment on things going on. Like in the show I have a relationship with my stalker, when he doesn’t come around for awhile, I start to ask around about him. A character says to me, “Is this a reality show?” and I go, “No, it’s just reality.” Everyone is famous now. Everyone has their own blog, we’re all famous.TF News:‘Illenarama: Supermarket of the Stars’ was never picked up for network TV, but found success on the web. What do you see as the future of episodic web shows?
Douglas: I think it is the future. It is the future. This is the new independent film. I haven’t had this kind of experience since I did my first short film of Supermarket, back in 2003 or 4. I’m working with the directors I want to work with, the actors I want to work with, incorporating music and dance, which is something I always wanted to do. “Too far out” was always the note I was given. One of the great things about the web is that no one is standing over your shoulder, no one is saying “I don’t like that.” It’s a lot like standup.”I kind of think this is funny, and I’m going to go out on a limb.” It’s kind of a similar thing. We see web video as the new thing. It’s the horizon.
TF News: Do you watch any other shows on the web? If so, what are you watching? Douglas: Craig Bierko, the bathtub show, if friends are in them I check them out. I looked at the Chad Vader because it was also in a supermarket, so it had a kind of similarity to mine. (I was there first – check the dates, 2003.) You kind of want to see what other people are doing, some of it for the technique, since a web show is different from a movie, and also just to see if you can up the bar a bit—cinematically, to make it a little more sophisticated. I like You Suck at Photoshop. Dr. Horrible has really raised the bar though. They had a lot of money of course. This is more like an indy labor of love.
TF News: Do you have any IKEA furniture in your house? Douglas: I have the plates, mugs and glasses, and platters. It’s sort of the perfect place to go for that. Now I know everything. I could work at an IKEA. Thing is, it is a pretty great place to work, almost slightly socialist. They give free health insurance, you get a full meal for $3, for salmon and potatoes. They have a board called “Taks” where everyone has to post a “thank you” each day, like, “Thanks Bob for taking over my shift.” We really became friends with the two managers. Their only concern was that we were going to get everything, and how the show was boosting morale".
"Starring Michael Cera and Kat Dennings, the flick follows two teens during one late night in New York City as they search for a secret show by Where’s Fluffy?, the pair’s favorite band.
It’s a sweet, very funny tale with some wild moments as the hours roll on, and that’s where you come in. Have you had your own crazy night that you’ll never forget, or that changed everything for you? Night out on the town where unexpected things happened or you ended up in a place you never expected? Did something equally unexpected, funny or crazy happen to you when you went to a concert or when you chased a performance? Then we want to hear about it. Four folks with the most interesting stories will wind up in promos for the film airing on MTV! Click here to find out more and to upload your story. Good luck! Source: moviesblog.mtv.com
Illeanarama - Supermarket of the Stars. Episode 3. "Success Is The New Failure". Illeana Douglas gives up her Hollywood career to work in a local Supermarket. However as word gets around that Supermarket employment is the new fashion statment other celebrities start to materialize. Co-starring Jeff Goldblum, Jane Lynch, Ed Begley Jr and if you look hard enough Gene Wilder.
"With the death of Aussie actor Heath Ledger, three of the stars, who completed his role in his final movie, have donated their pay to his two-year-old daughter. The three actors, Johnny Depp, Jude Law and Colin Farrell were worried for Matilda's future, as Ledger had left an old will which did not include her. The three had played versions of his character Tim in fantasy epic The Imaginarium of Dr Parnassus".
"It is taking three top names Jude Law, Johnny Depp and Colin Farrell – to step into Heath Ledger's final role, in the unfinished movie The Imaginarium of Doctor Parnassus, according to a rep for Law.
Speaking to the BBC, Law's spokeswoman confirmed that the three actors would play Ledger's role of Tony. She was unaware, however, as to how the part would be restructured in the film, which deals with magic.
Ledger, 28, was still shooting the $30-million movie, directed by Terry Gilliam and costarring Christopher Plummer, when he was found dead from an accidental overdose of prescription medicines on Jan. 22.
The BBC speculates that the production will retain its original footage of Ledger, with Law, Depp and Farrell each playing different versions of Tony.
The weekend before Ledger's death, he and Plummer had both completed the London portion of the movie's shoot and were due to continue filming the following week in Vancouver, Canada. Production was suspended when the tragedy struck.
At the time the production left England, Plummer told PEOPLE, "Heath was in very high spirits. He was just enjoying himself tremendously. It's a rather fanciful script, and he was wonderful in this role." Source: www.people.com Tom Waits in "The Imaginarium of Doctor Parnassus".
"Synopsis: The Imaginarium of Doctor Parnassus is a fantastical morality tale, set in the present day. It tells the story of Dr Parnassus and his extraordinary ‘Imaginarium’, a traveling show where members of the audience get an irresistible opportunity to choose between light and joy or darkness and gloom. Blessed with the extraordinary gift of guiding the imaginations of others, Dr Parnassus is cursed with a dark secret. Long ago he made a bet with the devil, Mr Nick, in which he won immortality. Many centuries later, on meeting his one true love, Dr Parnassus made another deal with the devil, trading his immortality for youth, on condition that when his first-born reached its 16th birthday he or she would become the property of Mr Nick. Valentina is now rapidly approaching this ‘coming of age’ milestone and Dr Parnassus is desperate to protect her from her impending fate. Mr Nick arrives to collect but, always keen to make a bet, renegotiates the wager. Now the winner of Valentina will be determined by whoever seduces the first five souls. Enlisting a series of wild, comical and compelling characters in his journey, Dr Parnassus promises his daughter’s hand in marriage to the man that helps him win. In this captivating, explosive and wonderfully imaginative race against time, Dr Parnassus must fight to save his daughter in a never-ending landscape of surreal obstacles - and undo the mistakes of his past once and for all…"
Anna Faris, Emma Stone, Katharine McPhee and Rumer Willis attend the screening of "The House Bunny" at the Joseph Urban Theatre inside of the Hearst Tower on Monday in New York City. Source: JustJared.buzznet.com
"Superbad" group photo, Michael Cera (pointing at Apatow) between Jonah Hill and Aviva, Seth Rogen, etc.
"I think Cera can totally pull off Scott [Pilgrim] - it's just the part he needs to avoid being typecast". "The redheaded chicky from Superbad needs to be Kim. She's awesome. And she's got the voice for it too. So hot". Source: scottpilgrim.ning.com/forum
Aviva between Martha MacIsaac and Seth Rogen.
"Caroline Franklin (Aviva from "Superbad") calls on some divine guidance to help her with her cheerleading. From FORGIVING THE FRANKLINS, a popular film at the Sundance Film Festival".
"As Conrad E. Oswalt Jr. said, “The box office constitutes a mass medium for the apocalyptic drama, which suggests the existence of a popular, apocalyptic imagination in contemporary society – apocalyptic consciousness the movie industry has discovered and perhaps fostered.”
Charles P. Mitchell said, “Many of the elements from the book of Revelation have filtered into our world culture.” A few examples of these elements are: the destruction of the known world (termed “apocalypse”), dualism, the supernatural hero, free will and the predetermined plan of God, and dualism. Mitchell also said that apocalyptic cinema is made up of “motion pictures that depict a credible threat to the continuing existence of humankind as a species or the existence of Earth as a planet capable of supporting human life…the event threatening the extinction of humanity has to be presented within the story.”Conrad Oswalt has said, regarding apocalypse in American film, that “the apocalyptic drama occurs in a familiar or an immediate setting that has been transformed into a terrifying Armageddon” By going into a tangent, yet identical, universe, Donnie’s once familiar world has begun to speed rapidly toward destruction.
In order to avoid this worldwide destruction, however, there must be a hero figure to bring about renewal. Again comparing modern and traditional apocalypse, Oswalt says, “The modern apocalyptic imagination removes the end of time from the sacred realm of the gods and places the apocalypse firmly in the grasp and control of humanity.” This human control is found in the person of Donnie Darko. Donnie is chosen by Frank to get everyone out of the tangent universe before it collapses. The character of Donnie is similar to both John as the chosen recipient of a divine message, as well as Christ as messianic savior. Once difference, however, between the role of Donnie and Christ in Revelation is that Donnie does not realize until the end of the movie that he has been chosen to save everyone.
In the context of Donnie Darko, this hero figure is referred to as the Living Receiver. According to the book accompanying the movie, “The Living Receiver is chosen to guide the Artifact into position for its journey back to the Primary Universe…The Living Receiver is often blessed with…powers.” Donnie’s supernatural role is foreshadowed during his first conversation with his girlfriend, Gretchen. She asks, “Donnie Darko? What the hell kind of name is that? Sounds like some kind of superhero or something.” Donnie is, whether he knows it or not, the hero character in the story. Oswalt says, “the strong character is usually a hero figure who rises to the occasion by preventing the end from coming or by defeating the forces of evil.” However, this dualism, which Donnie fights, he ultimately sees as truth. What he once feared, dying alone, he later willingly chooses because of his love for Gretchen.
In addition to dualism, the supernatural hero, and apocalypse, Donnie Darko also incorporates the question of control found in Revelation, in other words, free will v. pre-determinism.
The movie asks the question of free will and predestination and purposefully doesn’t answer it. Director, Richard Kelly, says this is because “Ultimately for me I think it’s more powerful to leave the mystery intact and not spoil it by trying to over-explain everything.”
[...] In traditional apocalypse, according to John J. Collins, “The main means of revelation are visions and otherworldly journeys, supplemented by discourse or dialogue and occasionally by a heavenly book. The constant element is the presence of an angel who interprets the vision or serves as a guide on the otherworldly journey.” Source: naomirachel.blogspot.com
"Brendan in this one is the too-cool-for-school dude who lunches alone and finally, at the height of his send-Mary-Astor-to-the-gallows moment - "Now you are dangerous," he says earlier, in a direct reference to THE MALTESE FALCON - learns that his controlling nature cost him not just the girl but his own happiness, indeed (in the literal, biological, gene-perpetuating way) his own masculine triumph; his self-reliant existentialism ends up hurting even himself. The film's magic seemed mysterious on first viewing, home-made and sketchy, set in a forgotten America of empty spaces and almost oppressive tranquillity - like on a stage, keeping real life at bay, and amateur dramatics duly make an appearance in the narrative - but second viewing reveals it to be slicker (and more skilful), leaning heavily on a memorable score (starting with Em's theme, a lilting lament seemingly played on shards of glass) and making creative use of its low budget by framing tightly on specific objects; since both noir and high-school are used almost abstractly, familiar sets of rituals to be shuffled through like a deck of cards in a card-trick; nor is it really script-centric - as some people claim - Johnson's control being far more important than the dialogue or narrative (which resolve into dense witty patois and tortuous McGuffin, respectively); best seen as a mood-piece, as lost in its world as its own intractable hero, finally puncturing his cerebral shell - he does get into violence but self-consciously, taking off his glasses first - as a warning against living too obsessively in your own head". Source: leonardo.spidernet.net
"A while back, my boyfriend shoved Scott Pilgrim's Precious Little Life into my precious little hands, and I absolutely adored the part real, part video-game-ish love story (with ninjas!). Ever since we heard there was going to be a movie made of the series, we've been wondering who could play Scott, the books' 20-something, goofy, mediocre-music-playing slacker antihero who must defeat his crush's seven evil ex-boyfriends in order to win her heart. One name came to mind: Michael Cera.I think this could be a great role for Cera — a bit of a stretch, but certainly something he can pull off. Scott's awkward, like many of Cera's best characters, but it's a different kind of awkward: the awkwardness of someone who thinks he's actually pretty cool". Source: buzzsugar.com
"I am going to go out on a ledge here, from which I may fall and hurt myself in bad ways, but with Alia Shawkat joining the cast of Drew Barrymore's directorial debut WHIP IT!, I am going to declare this the best female ensemble in cinematic history. Shawkat of course, played Maeby Funke on Fox's dead-too-soon "Arrested Development" and if you didn't have a crush on her you probably like boys. She joins indie-it girl du jour Ellen Page, Barrymore, Marcia Gay Harden, Juliette Lewis, Zoe Bell and my favorite Kristen Wiig. Wow. Put all those women together and you get an edgy, sarcastic, motherly rocker chick who probably loves to cuddle. The movie follows Page as an indie-rock misfit (bold casting!) who discovers a roller derby league in her small Texas Town. Who cares if Barrymore is directing? With a cast like that I'm just so, so sold". Source: www.joblo.com
"Sam Raimi is working to get the Jack Ryan franchise off the ground and relaunched but replacing Harrison Ford, Alec Baldwin and Ben Affleck is proving difficult (OK, replacing Affleck shouldn't be too hard). CHUD has some interesting scoop on who Raimi wants, who Sony doesn't want and what it might mean for the franchise.
They report that Raimi wants to cast his SPIDER-MAN star James Franco as Jack Ryan but the Sony execs aren't ready yet to hand over a big franchise like this to Franco. This is reportedly causing a major rift between Raimi and Sony and may wind up causing the director to walk off the project. Personally I think Franco's a great choice for an action star if someone would give him the chance. He'd need to bulk up a bit I suppose but if Matt Damon (Matt Damon!) can become one of the biggest action stars courtesy the BOURNE franchise, why not Franco? Of course what does this mean to the ongoing negotiations between Sony and Raimi for SPIDER-MAN 4? All interesting things to keep an eye on...
Girls listening to music with earphones: Jena Malone, Natalie Portman and Mary Elizabeth Winstead: 
Intense pouting -Emmy Rossum, Kat Dennings, Kristen Bell, Emma Stone, Zooey Deschanel and Ellen Page-:
Women dressed like femme-fatales: Keira Knightley, Patricia Arquette and Nora Zehetner.
"A lot of people know who Illeana Douglas is. Her film and TV credits (Cape Fear, Ghost World, Six Feet Under…) are extensive and fittingly, she’s also no stranger to the web, with her Illeanarama - Supermarket Of The Stars becoming a hit on YouTube and racking up three TV Guide Awards by the end of 2007. As we mentioned a few weeks back, Douglas is coming back to the world of web television this September with the launch of her new IKEA-sponsored show, Easy To Assemble.
Tubefilter News: What was it like working with IKEA? Did you have a fair amount of creative freedom? How involved was IKEA’s marketing department in the production?
TF News: What was it like filming in the middle of a working store?
TF News:‘Illenarama: Supermarket of the Stars’ was never picked up for network TV, but found success on the web. What do you see as the future of episodic web shows?
"Starring Michael Cera and Kat Dennings, the flick follows two teens during one late night in New York City as they search for a secret show by Where’s Fluffy?, the pair’s favorite band.
"With the death of Aussie actor Heath Ledger, three of the stars, who completed his role in his final movie, have donated their pay to his two-year-old daughter.
The three actors, Johnny Depp, Jude Law and Colin Farrell were worried for Matilda's future, as Ledger had left an old will which did not include her. The three had played versions of his character Tim in fantasy epic The Imaginarium of Dr Parnassus".
Tom Waits in "The Imaginarium of Doctor Parnassus".
Anna Faris, Emma Stone, Katharine McPhee and Rumer Willis attend the screening of "The House Bunny" at the Joseph Urban Theatre inside of the Hearst Tower on Monday in New York City.
"Superbad" group photo, Michael Cera (pointing at Apatow) between Jonah Hill and Aviva, Seth Rogen, etc.
"The redheaded chicky from Superbad needs to be Kim. She's awesome. And she's got the voice for it too. So hot".
Aviva between Martha MacIsaac and Seth Rogen.
"As Conrad E. Oswalt Jr. said, “The box office constitutes a mass medium for the apocalyptic drama, which suggests the existence of a popular, apocalyptic imagination in contemporary society – apocalyptic consciousness the movie industry has discovered and perhaps fostered.” 
Conrad Oswalt has said, regarding apocalypse in American film, that “the apocalyptic drama occurs in a familiar or an immediate setting that has been transformed into a terrifying Armageddon” By going into a tangent, yet identical, universe, Donnie’s once familiar world has begun to speed rapidly toward destruction.
However, this dualism, which Donnie fights, he ultimately sees as truth. What he once feared, dying alone, he later willingly chooses because of his love for Gretchen.
Director, Richard Kelly, says this is because “Ultimately for me I think it’s more powerful to leave the mystery intact and not spoil it by trying to over-explain everything.”
"Brendan in this one is the too-cool-for-school dude who lunches alone and finally, at the height of his send-Mary-Astor-to-the-gallows moment - "Now you are dangerous," he says earlier, in a direct reference to THE MALTESE FALCON - learns that his controlling nature cost him not just the girl but his own happiness, indeed (in the literal, biological, gene-perpetuating way) his own masculine triumph; his self-reliant existentialism ends up hurting even himself. The film's magic seemed mysterious on first viewing, home-made and sketchy, set in a forgotten America of empty spaces and almost oppressive tranquillity - like on a stage, keeping real life at bay, and amateur dramatics duly make an appearance in the narrative - but second viewing reveals it to be slicker (and more skilful), leaning heavily on a memorable score (starting with Em's theme, a lilting lament seemingly played on shards of glass) and making creative use of its low budget by framing tightly on specific objects; 
since both noir and high-school are used almost abstractly, familiar sets of rituals to be shuffled through like a deck of cards in a card-trick; nor is it really script-centric - as some people claim - Johnson's control being far more important than the dialogue or narrative (which resolve into dense witty patois and tortuous McGuffin, respectively); 
best seen as a mood-piece, as lost in its world as its own intractable hero, finally puncturing his cerebral shell - he does get into violence but self-consciously, taking off his glasses first - as a warning against living too obsessively in your own head".
"A while back, my boyfriend shoved Scott Pilgrim's Precious Little Life into my precious little hands, and I absolutely adored the part real, part video-game-ish love story (with ninjas!). Ever since we heard there was going to be a movie made of the series, we've been wondering who could play Scott, the books' 20-something, goofy, mediocre-music-playing slacker antihero who must defeat his crush's seven evil ex-boyfriends in order to win her heart. One name came to mind: Michael Cera.
I think this could be a great role for Cera — a bit of a stretch, but certainly something he can pull off. Scott's awkward, like many of Cera's best characters, but it's a different kind of awkward: the awkwardness of someone who thinks he's actually pretty cool".
"I am going to go out on a ledge here, from which I may fall and hurt myself in bad ways, but with Alia Shawkat joining the cast of Drew Barrymore's directorial debut WHIP IT!, I am going to declare this the best female ensemble in cinematic history. 
Shawkat of course, played Maeby Funke on Fox's dead-too-soon "Arrested Development" and if you didn't have a crush on her you probably like boys. She joins indie-it girl du jour Ellen Page, Barrymore, Marcia Gay Harden, Juliette Lewis, Zoe Bell and my favorite Kristen Wiig. Wow. Put all those women together and you get an edgy, sarcastic, motherly rocker chick who probably loves to cuddle. 
The movie follows Page as an indie-rock misfit (bold casting!) who discovers a roller derby league in her small Texas Town. 
Who cares if Barrymore is directing? With a cast like that I'm just so, so sold".
Christopher Nolan: "El verdadero superhéroe pasa totalmente desapercibido" ("The true superhero gets totally inadverted")
"Sam Raimi is working to get the Jack Ryan franchise off the ground and relaunched but replacing Harrison Ford, Alec Baldwin and Ben Affleck is proving difficult (OK, replacing Affleck shouldn't be too hard). CHUD has some interesting scoop on who Raimi wants, who Sony doesn't want and what it might mean for the franchise.
