"As as result, Gavin Hood's Rendition plays out as a crackling good political thriller with a simmering conscience.
In the fictionalized case of El-Ibrahimi– whose pregnant American-born wife Isabella (Reese Witherspoon) will instigate an investigation that will lead straight to Washington – the movie nails both the complexity of motivations behind the incident and a very good justification for paranoia.
Structured as a propulsive clock-ticker that spans several countries, a couple of dozen characters and a multitude of conflicting but equally articulated points of view, Rendition is about what happens when the machinery of government permits its own self-interest to trump those of the people it ostensibly exists to serve.
At what point, it asks, does the practice of protecting democracy contradict the very values that make it worth protecting? When do the means violate the end?
While the pregnant Isabella's campaign leads her to the office of a sympathetic Democratic senator's aide (Peter Sarsgaard), the detainment of El-Ibrahimi draws the callow CIA analyst Douglas Freeman (Jake Gyllenhaal) right into the belly of the beast.
Having been conscripted to replace the agent murdered by a terrorist bomb in a public square, Freeman must act as a silent advisor to the Egyptian interrogator (the marvelously imposing actor Igor Naor), as the latter – whose daughter is secretly seeing a would-be Muslim extremist – indulges any means necessary to extract the prisoner's confession.
His conscience increasingly strained by what he's seeing, Freeman blurts the word "torture" to the top-level CIA officer (a terrifically chilly Meryl Streep) when queried about the progress he's making.
Tersely informed that "the United States government does not practice torture," Freeman is ordered back into the dungeon to get results. It's either that or sacrifice his career – one that began, as one imagines so many well-intentioned careers did, on Sept. 12, 2001". Source: Thestar.com/Special/FilmFest
"And so it was when I ran into Jake Gyllenhaal in the kitchen. Not my kitchen -- where the only thing I do well is stir the occasional pot -- but the kitchen in Sotto Sotto, where one of the many things they do well is spoon-feed the stars. On Thursday, late, I just happened to be at the back of the Avenue Road restaurant, talking to some of the staff, caught in the storm of spaghetti and serendipity, when just a few seconds after being there, and to everyone's surprise, the actor suddenly appeared. Deeply V-necked, pleasantly broad-shouldered, and with that paralyzing dopey smile, he turned up solo, like one of those bit-partridges who had mixed up the time he was supposed to appear in a junior high production of The 12 Days of Christmas. His deep, baby-blue V-neck, by the way, looked comfortable but meticulous, as did the black tee underneath the sweater, and his near-pristine dark jeans. All very back-to-school clean. All coming together quite nicely under the unforgiving, hard and harsh kitchen light. The only thing casting a shadow? Jake's 10 o'clock fuzz. ''Mama would like a picture,'' seized one of the maybe five men, standing with me and the movie star in a part of the kitchen just marginally bigger than Nelson Mandela's old digs on Robben Island. Actually, said one of the friendly wait staff, Mama has no idea what a Gyllenhaal is. She just likes the idea of having her picture taken with famous people. In fact, just a little later, Mama was insisting on having her pic taken with a friend of mine. ''I'm not a celebrity,'' my friend told her, to little avail. It was a glimpse, I guess, of the wider celeb-serum that much of the city takes at this time of year. Jake, meanwhile, gave us a glimpse of his singularly sporty-brainy-emo brand in Hollywood -- the kind of chap who can competitive-bike-ride, do crosswords and get teary-eyed via Keats. The night was almost done, and he, polite to the end, thanked everyone and told Mama in particular that he dug her lasagna. But Ms. Witherspoon did come to whisk him away after dinner. Take from that what you may, and indulge your deepest, vicarious fantasies.
Meanwhile, back at Sotto Sotto-- where Jodie Foster and Sienna Miller has also dined that night, incidentally -- Mama sent me packing with some of her secret recipe chili sauce". Shinan Govani, National Post. Published: Saturday, September 08, 2007 Source: Canada.com/NationalPost
There is no ranking perfection, so I will discuss the perfect films in alphabetical order. The first is “No Country for Old Men,” by the Coen brothers, and the second is “Rendition” by Gavin Hood. The Coens are among our national treasures. Gavin Hood, at 44, was the South African director of “Tsotsi,” the masterpiece which won the Oscar for best foreign film of 2005. Deserves nominations
Now to ”Rendition.” I owe director Gavin Hood an apology for writing, in a Toronto festival preview, that it is a “CIA thriller.” It involves the CIA and among other things it is a thriller, but it is no more a “CIA thriller” than Macbeth is a swashbuckler. It is a movie about the theory and practice of two things: Torture, and personal responsibility. And it is wise about what is right, and what is wrong. The original and tightly coiled screenplay, by Kelley Sane, should get one of several nominations the movie deserves.
The story involves the arrest of an Egyptian-American scientist (Omar Metwally) who is “disappeared” from a flight from Cape Town to Washington. His very pregnant wife (Reese Witherspoon) simply doesn’t believe “he was never on the plane,” and enlists a former lover (Peter Sarsgaard), now an aide to a senator (Alan Arkin), to investigate through back channels. This runs him up against the head of the CIA (Meryl Streep) who is terrifyingly professional.
Meanwhile, in an unnamed north African country, the new American attaché (Jake Gyllenhaal) is told that the scientist has been brought there to take advantage of its expert torturers, an interesting use of outsourcing. And we meet the country’s chief of security, his daughter, her forbidden boyfriend, and others, as several story strands are relentlessly gathered into a conclusion that makes perfect sense and causes us to rethink everything, and no, that doesn’t mean what it sounds like it means". Source: Rogerebert.suntimes.com
September 7 - Arriving at the 'Rendition' Press Conference.8 September, Rendtion: Toronto Film Festival Screening. Pictures by Iheartjake.com RENDITION - World premiere at Roy Thomson Hall, Toronto
6:30 pm, 7/11 TIFF 2007 Rattler’s Thoughts "There is a certain point in Rendition when a haunting image will strike you. As the good battles despair, the bad seeks glory and the ugly raises its hydra-heads, Douglas stands and watches. He turns, as shadows on his face coagulate; and suddenly the light balances the dark. You notice the sadness within the blue, and the rest just turns into mundane. It is this simple sense of grief that will permeate through the rest of the film, linger while the note on the flute turns into whisper, gradually seeping into your heart. You realize that this sadness is meant to be universal; for the derivative emotions invoked will just depend on who is watching the film. A rapid chill will run through every immigrant’s heart, some will polarize into red and blue, some may just shake their heads, while quite a few will be glad that Arar received a settlement.
“This is my first torture”, you will hear Douglas say. You will laugh at the wordplay, and will be sad again. And this, indeed, is Gavin Hood’s coup the grace. He has done his homework well, and uses Morocco and Washington deftly, like an artist mingling two colors on her palette. Two cities and two cultures contradict and contrast each other, but in the end turn into shades of gray. He develops characters with both naiveté and brilliance. Some are stereotypes – Meryl Streep scorches, Alan Arkin slithers, while Peter Sarsgaard’s empathy soothes Reese Witherspoon’s despair. But it is the brilliance of Omar Metwally, Jake Gyllenhaal, and Yigal Naor that will mesmerize you. Three sets of eyes will cut your attention into three equal parts.
The plot is well-known, so there is no point going there. The plot twist is not novel; you have seen time wrapping up into one, and space splitting into two. Wong Kar-wai, Alejandro Iñárritu, and Chris Nolan have been there, done that. But what Gavin Hood offers is a poignant point of inflexion. Moral polarities neutralize amidst blood and gore. It is also at this point that the broken pieces of Douglas simply glue up. There is just one thing that irks you in the end – every sub-plot has a conclusion except one. Is there a hidden message after all? Perhaps hope is not supposed to end.
Rendition, like any other film that deals with moral issues, treads on thin ice. You always wonder – what is right and what is wrong? The answer could be simple – embedded within a name. While Metwally scintillates, that name belongs to Jake Gyllenhaal.
"A fellow journalist just informed me that Reese Witherspoon and Jake Gyllenhaal are scaling back their Toronto publicity for Oscar hopeful Rendition (the movie is Gavin Hood's follow-up to Oscar-winning Tsotsi, about a man yanked off a plane in the U.S. and shipped off overseas, where he can be tortured for information in connection with a terrorist attack). Seems the two actors — part of an impressive ensemble that includes Alan Arkin, Meryl Streep and Peter Sarsgaard — have canceled one-on-ones and will only be doing the press conference. Read into that what you will. UPDATE: New Line publicity informs me that Reese and Jake will be doing a "handful" of one-on-ones, though they have been scaling back on plans". —Posted by Peter Debruge. Source: Weblogs.variety.com/thompsononhollywood. "Rendition’s thought-provoking chronological structure particularly distinguishes the film. Narrative strands that seem to be moving linearly are suddenly woven in a brilliant series of loops suggestive of the sad reality of violence – that it only ever leads to more violence. The cast, which also includes Peter Sarsgaard and Alan Arkin, is tremendous: Witherspoon and Gyllenhaal passionately embody an American conscience waking up to the vileness of acts committed in their name, while Streep is quietly ferocious as the matronly governmental face that glosses over these same despicable crimes". Source: Tiff07.ca.
"Today Jake Gyllenhaal was spotted leaving Toronto's premier 5 star hotel, the Hazelton Hotel on Yorkville Avenue. And I know this because I saw him! I couldn't get a photo - it was so quick but nevertheless a wonderful moment". Posted by Wet Dark and Wild at 04:55 Source: Wetdarkandwild.blogspot.com. September 4 - Visiting a Medical office in LA. September 4 - Dinner at Jar Steakhouse in LA. Courtesy of Iheartjake.com. "When the Toronto International Film Festival comes around, I do pretty much the same stuff — it’s just 10 times as much work every day (on a side note, if you have any pressing questions for Jake Gyllenhaal, feel free to post them in the comments section below, as I’ll be interviewing him tomorrow).
It’s not unusual for me to go through the entire memory card of my dictaphone twice and fill up four or five notebooks with my scrawled observations about Rachel Weisz’s unflattering top, Elijah Wood’s surprisingly cute and un-hobbit-like demeanor or the wilted salad Chloë Sevigny was eating for lunch". Source: Greenasathistle.com.
ELLEN POMPEO.SHERILYN FENN.MISCHA BARTON.SCARLETT JOHANSSON.ALICIA SILVERSTONE.MICHELLE WILLIAMS.KIRSTEN DUNST.GWYNETH PALTROW.MICHELLE TRACHTENBERG.NORA ZEHETNER. Plus a video featuring Nora Zehetner:
"Hollywood actress Maggie Gyllenhaal has taken over supermodel Kate Moss as the smouldering new face - and knockout body - of lingerie line Agent Provocateur.
Gyllenhaal stripped down for a series of sexually charged images, which see the scantily clad star splashing about in a bath and even posing in handcuffs.Serena Rees, co-founder of Agent Provocateur, said: "Maggie is not an obvious sex symbol."
"She is interesting looking, confident and beautiful in a way that is non-threatening, which makes her appealing to men and women alike."The coveted campaign has previously starred pop princess Kylie Minogue and burlesque star Dita Von Teese.
The images are part of 'Lessons in Lingerie, the first in a collection of books entitled The Adventures of Miss A.P. The next episode in the series, 'Lady of the Manor, will be released in November.
Agent Provocateur has a strong celebrity following - with Paris Hilton, Christina Aguilera, Carmen Electra and Lily Allen are all fans". Source: Dailymail.co.uk
It's another Justice League of America rumor! When will they ever stop?We have a very trusted source fresh from the set of The Dark Knight, who has worked with Maggie Gyllenhaal doing live theater. As you know, Maggie stars as Rachel Dawes (replacing Katie Holmes) in the upcoming bat sequel. Our source confirms that Gyllenhaal has in fact been approached about appearing in the new Justice League of America film. Only, there is a catch. It would be a cameo, in which she would appear alongside her brother Jake. That's right. The Gyllenhaal siblings have been approached with the idea of playing Jayna and Zan, the Wonder Twins. One of them can turn into water. They other can turn into an animal (let the jokes commence). It's not known whether they would be using their powers on screen, but they are being added as a source of humor to the film. George Miller, who recently added The Martian Manhunter to the current circulating script, is also a huge fan of the twins. Our source claims that Miller only wants the Twins in for a quick wink and nod reference, but will probably abandon the idea if the Gyllenhaals decline their current offer. Our source has been right about 98% of the time when it comes to his little tidbits of information, but this sounds a little too goofy. I wouldn't even post this weird rumor, except I love the sound of Maggie Gyllenhaal in tight purple spandex. I bet Jake would look pretty good too. In the form of a toilet bowl flush". Source: Movieweb.com
Jake Gyllenhaal, Reese Witherspoon, Alan Arkin, Peter Sarsgaard and Meryl Streep head an all-star ensemble cast in Rendition, a compelling thriller from director Gavin Hood (director of the Academy AwardÆ-winning film, Tsotsi) which takes a provocative look at the complex political issues surrounding the U.S. government’s policy of “extraordinary rendition” - abducting foreign nationals deemed a threat to national security for detention and interrogation in secret overseas prisons.
Spanning two continents, Rendition tracks the lives of Douglas Freeman (Jake Gyllenhaal), a CIA analyst based in North Africa who is forced to question his assignment after he witnesses the brutal and unorthodox interrogation of an Egyptian-American by secret North African police; Anwar El-Ibrahimi (Omar Metwally), the Egyptian-American chemical engineer whose family emigrated to the States when he was a boy, and who is now suspected of a terrorist act; his pregnant wife Isabella El-Ibrahimi (Reese Witherspoon), who does everything in her power to find her missing husband, who has seemingly disappeared during a flight from Cape Town, South Africa to Washington, DC, by enlisting the help of a politically-connected college friend; Alan Smith (Peter Sarsgaard), an aide to Senator Hawkins (Alan Arkin), who uncovers the troubling fact that Anwar has been shipped off, on the orders of the CIA’s head of terrorism; Corrinne Whitman (Meryl Streep) to a third world country for interrogation; and Abasi Fawal (Igal Naor), the head of the secret prison who has personal problems of his own with a rebellious daughter Fatima (Zineb Oukach) and her Islamic fundamentalist boyfriend Khalid (Moa Khouas).
Rendition boldly explores the gray area between left and right and right and wrong and finds no easy answers. Director Gavin Hood, whose film Tsotsi became the first film from South Africa to win an Academy AwardÆ, makes his American motion picture debut directing screenwriter Kelley Sane's multi-layered story.
New Line Cinema presents in association with Level 1 Entertainment an Anonymous Content Production – Rendition. The outstanding ensemble cast features Academy Award nominee Jake Gyllenhaal, Academy Award winner Reese Witherspoon, Academy AwardÆ winner Alan Arkin, Peter Sarsgaard, Omar Metwally, Igal Naor and Academy Award winner Meryl Streep, as well as Moa Khouas and Zineb Oukach. [...]
Rendition was filmed in Los Angeles and Washington DC, Marrakech, Morocco and Cape Town, South Africa.
New Line Cinema will release Rendition (the film is not yet rated by the M.P.A.A.) in theaters nationwide on October 19th, 2007.
The film will have its world premiere on September 7th, 2007 at the 32nd Annual Toronto International Film Festival.
ABOUT THE PRODUCTION
Screenwriter Kelley Sane first decided to write Rendition after a lively debate with his friend, Mark Martin, about the American government’s little-known policy of “extraordinary rendition,” which allows for the abduction of foreign nationals, deemed to be a threat to national security, for detention and interrogation in secret overseas prisons.
Sane remembers, “Mark Martin, who is a co-producer on the movie, and I were talking about the potential for abuse, and how it seemed to not follow the lines of the American ideal. Mark suggested that I write a script. I had to think about it because watching someone getting picked up and tortured doesn’t necessarily seem that cinematically interesting. On deeper thought, what really struck me was the fact that if someone disappeared, their family would have no idea what happened. Thousands of people disappear in this country every year, for various reasons, and I could imagine the heartache of not knowing where a loved one is”
Producer Steve Golin first saw the script in its early stages. “David Kanter and Keith Redman, who work with me at Anonymous Content, had found the script along with Mark Martin, who was working with my company at the time,” says Golin. “We worked on it for about a year. It really was a team effort. The thing that impressed me about the script was that it avoided being too preachy and that it really tried to explore “extraordinary rendition” and what the effects are on the individual people. [...]
“One of the first challenges facing the filmmakers was in tackling the script’s multi-layered storylines. Hood explains, “You have to keep everything in balance and let every storyline arc sufficiently because essentially you are making four or five short films and weaving them together. One of the challenges I found exciting was how to get the maximum emotional impact, the maximum plot and story impact in the least amount of time so that you keep your audience moving. That is a tremendous challenge from a storytelling point of view and very exciting because there is no room for fat.”
Jake Gyllenhaal, who portrays CIA analyst Douglas Freeman, adds, "This production was unlike any other I’ve worked on. The Morocco shoot felt like its own separate movie, when in actuality it was just a small piece of a larger picture. I think when we finally see the film it will be exhilarating to see how Gavin has woven the different pieces together."
Hood and screenwriter Kelley Sane teamed up for further work on the script prior to the start of production. “When I initially read Kelley’s script, I thought it was structurally brilliant. He has this tremendous twist that happens at the end of the film that really catches you by surprise. All the characters are beautifully drawn in terms of coming from different angles of the story. So my work with Kelley was not about trying to create the story, since he’d already done that beautifully. It was a matter of finding rhythm and pace, which is a director’s job, and to find the emotional arcs of these stories and whether we were in balance within the story. And, then, of course, to ask about the balance from almost a legal point of view. Are we making the argument for the necessity for torture and the other argument against torture? Are these arguments balanced in the film? Because the one thing Kelley and I didn’t want to do was to tell the audience what to think.”
[...] For her part, Witherspoon was instantly attracted to the material. “I liked the idea that the different story lines all lead to similar situations, but not in the way we have seen in other recent films that have multiple interwoven stories. The interesting element to me was that each person’s story is about isolation. It isn’t about connection. It’s about how we are singular in the world.”
“I was also drawn to the role of Isabella because I have a lot of curiosity about what it must be like to be living as part of a Muslim family in America. We have a lot of ideas about certain religions, and a lot of fear has been propagated. I was interested in dispelling some of that fear.”
“Reese is incredibly disciplined and is always completely prepared,” says director Gavin Hood. “She knows exactly where she is going. The only thing that was difficult for us was that it was my first experience working with an actress of her caliber and her fame – so I’d never before experienced the sight of the paparazzi all over the place!”
Witherspoon researched her role by meeting with Muslim Americans. “I also found communities on the internet and read books,” she adds. “It’s fascinating to me that in this country we have so many different kinds of people and as many different religions. It’s part of the real beauty of America that people are allowed to practice religion without prejudice. But, then again, since 9/11, it has clearly been a more difficult situation for some families.”
Jake Gyllenhaal, an OscarÆ nominee for his role in Ang Lee’s Brokeback Mountain, signed on to portray CIA analyst Douglas Freeman. "Jake plays a young man whose sense of right and wrong turns upside down when he finds himself thrown into an extraordinary situation," says producer Steve Golin.
Gavin Hood adds, “Jake had a very difficult role because Douglas in a way is the moral compass to the film. He’s an observer, much like the audience. He is the one character whose opinion on the question of rendition is ambivalent. You don’t know which way he is going to go or quite what he’s feeling as the events of the film unfold around him. Jake did a brilliant job of knowing that his role as an actor was to say and do very little, yet absorb and emotionally reflect a great deal.”
Gyllenhaal was attracted to a role that was so different from anything he’d previously done. "Douglas gets to be in the middle of the action, both emotionally and physically, with no real outlet -- and I found that kind of tension very exciting as an actor," he says. "I think many people in my generation are searching for something - their identity, who they are, what they want to do with their lives. This is where Douglas finds himself. When we first meet Douglas he has resigned himself to a sort of apathy, but he is quickly faced with a haunting reality that shakes him and forces him to face his own humanity. It makes him look into himself and find that thing he was searching for. At the end of the movie, he finds himself where he least expected it—which is ultimately tremendously rewarding for him and also for me as an actor."
Actor Omar Metwally joined the cast to portray the key role of Anwar El-Ibrahimi, who is suspected of being a terrorist, abducted and taken to a secret overseas prison.
“Omar is a highly intelligent, very emotionally in-tune young actor,” says Gavin Hood. “He had a role that in many ways was tougher than some of the other actors because he spent a lot of time in scenes by himself. I’m very fortunate to have an actor of Omar’s ability in the role.”
“There are several scenes where Anwar is alone,” says Metwally. “I think those scenes are very important because torture is an isolating experience. It was one of the things that drew me to this character. It’s such an incredible role, it’s one that I think actors dream about playing because he is a man who’s just pushed to or is experiencing the outer edge of human existence.”
Two-time Academy AwardÆ-winner Meryl Streep portrays Corrine Whitman, head of counter terrorism for the CIA. Gavin Hood relished the opportunity to work with the legendary actress.
“Possibly the greatest privilege on this movie was to work with Meryl, and I know it sounds sort of sycophantic to say, but it is true,” he says. “She is an icon and I can only say she is a consummate professional and so kind to everyone and completely disciplined. When you are ready, she is ready.”
Reese Witherspoon adds, “Working with Meryl – Wow! I’ve been lucky enough to meet her socially, so I knew she was a doll. She is honestly the nicest person, so lovely and gifted, but also a wonderful mother and completely down to earth.”
Rounding out the international cast are American born Peter Sarsgaard and Alan Arkin (a recent Oscar winner for Little Miss Sunshine); Israeli actor Igal Naor; Moroccan actress Zineb Oukach; and Algerian actor Moa Khouas. The topic of “extraordinary rendition” was a daily topic of discussion on the set – from the actors to the filmmakers to the international crew. It remained a hot button issue that fueled a lot of differing opinions. “My reaction when I first learned of ‘extraordinary rendition’ was pretty much disbelief that it was happening,” says Reese Witherspoon. It just doesn’t seem altogether American, to detain people without due process, and without the opportunity to be charged with a crime and to go through a proper trial. And that there is no legal recourse for people who have endured this type of torture is shocking. I am really proud to be part of a project that is bringing this practice to the public’s attention.” “At the same time,” Witherspoon adds, “it’s a very complicated issue. I’m an actor. I can’t even imagine what it would be like to have the responsibility for maintaining national security. There are always two sides of every coin, and I hope this movie shows both sides of this issue.”
“I think one of the dilemmas for us in the West, and in particular here in America, is we find torture unpalatable,” says Gavin Hood. “We don’t do that. But the attitude is, ‘hey, if it’s gotta be done, just don’t tell me about it.’ And that’s where you get the concept of outsourcing the torture…’well, these countries do it anyway, so let them do it.’ That’s a moral cop-out. Just because you are removed from it doesn’t mean you are not involved. The other question is, does torture work? It’s apparent to enormous numbers of military lawyers, FBI agents, CIA agents…not just myself. It’s apparent to a great number of people actually involved in the process that it frequently results in poor intelligence. The information you get is often bad because the person you are getting it from is terrified and wants whatever you are doing to them to stop. They will say what you want to hear so you will stop torturing them.”
Executive producer Bill Todman, Jr. feels that “If a person is rendered and our government let’s that person go and they go to New York and blow up another building, is that right or wrong? If a government renders somebody and treats them and interrogates them in ways we would never do in the United States, and they are innocent . . .is that right or wrong? I am not sure if I have a firm perspective about it.”
“In terms of survival of this country, and fighting for everything that we started out with, I do think the way we deal with things will have to change somewhat,” says Peter Sarsgaard. “It’s just by how much. And if by compromising what we do, do we become a country that we don’t want to be? Is it important to sacrifice one man for the benefit of 7,000. I think it ‘s wrong but it is a compelling argument. Rendition is something that our government could decide not to do anymore. But even if rendition goes away, there will be something else, some other way. We will be living with this for a long time.” [...] Source: Moviepublicity.com
"An honest life ends in a peaceful death" —Proverb.
"Beneath" is a horror flick released straight to video and marks the directorial debut of Dagen Merrill, co-written with Kevin Burke (who also wrote 2003's "Tahiti", an indie drama that earned some critical praise).Christy Wescot (Nora Zehetner, "Brick") is a 20-year-old pre-med student who cannot fully live her own life since her older sister Vanessa (Carly Pope, "Sandra Goes to Whistler") was killed in a car accident six years earlier, in which Christy was driving. "Give me the wheel! Christy!" could have been the last words she remembers from her sister, who was also a young mother and the wife of John Locke (Matthew Settle), a local doctor in the town of Edgemont.
The sudden death of family caretaker Joseph (Don S. Davis) prompts a phone call from John to Christy informing her that the funeral services will be held next Saturday. This phone call releases the latent anxiety Christy has been suppressing for the past six years. So when Christy jumps aboard a bus, she's already been fired from her job and is in need of antidepressants for a diagnosed borderline personality disorder spurred by her guilt over her sister's injuries. "Why did you go away?" her niece Amy (Jessica Amlee) asks her. Christy sardonically replies, "I went to prep school." Now Christy's niece lives in the Locke family home with dad and her grandma, the ominous Mrs. Locke (Gabrielle Rose), whom her cute red-haired granddaughter calls a "weirdo", and she is indeed, since she disappears from the dinner table and prefers to eat alone in her place. Amy is convinced a dark, mysterious thing killed good ol' Joseph and that Grandma is mean and secretive. Nora Zehetner maintains a mesmerizing tension from the very beginning. When she contemplates her arrival home to the small town from which she's been disconnected for a long time but has never severed her ties to, she does an awe-inspiring job of conveying Christy's conflicting emotions. And this is one of the main reasons the film succeeds, because its plot devices rely basically on our empathy for the lead character. There are moments that as a viewer we can notice the story would dry up if Christy couldn't find a new clue, a new clear thought, an accusatory gaze from some of the townspeople who have become strangers to her. She finds it difficult to reconnect with a junior high school friend, Debbie Houston (Nicola Anderson) and the townsfolk try to make her move on. Christy must not only hide the pain of her lonely existence and the hallucinations that plague her, she also has to face the humiliation of condescending treatment from the neighbours, nurses, and cops around her; though one of them, Jeff Burdan (Warren Christie), is pretty kind to her, his cop pal Randy (Patrick Gilmore) makes a cruel remark before being introduced to Christy.
Christy investigates some circumstances that occurred during the six months of rehabilitation that Vanessa received in Locke's home immediately after the accident, a losing battle against a certain death. Christy finds out this rehabilitation took place in a room beneath Locke's house where Vanessa was attended by a nurse named Claire Wells (Eliza Norbury) whom supposedly left town and moved to Portland, Maine. Christy also investigates the details about Vanessa's burial, as well as her medical files (which are now in private access for John Locke), all the while succumbing to near psychotic states when she suffers random seizures that lead her to draw darkly artistic portraits of people and threatening symbols. The laid-back manner of the townspeople grate on Christy's nerves as they stubbornly deny her suspicions regarding her sister's death. Christy is constantly perceived as an unstable, meddling girl, which fits these simple-minded locals struggling in a post-mining economy ruled by Locke's dynasty.
But as another character says to Christy at the beginning of the story, "Death is always hardest on the living." And this obsession with her sister's death makes the heroine's lunatic mind spin frantically like a profaned coffin. "It lives in my walls. I hear it crying". "I take pictures 'cause I can't draw", Amy says.
Passageways designed for escaping the mines, locked entrances, insects-plagued basements will confuse us as much as they confuse Christy in her confused mental state; the film is soaked with the romantic, timeless beauty of Nora Zehetner, whose performance as an isolated young woman with a precipitous imagination elicits our innate sympathy and conquers our hearts in the end. Zehetner's Poe-like heroine maybe is a paraphrenic without love life but she's the last voice standing against the apathy and lack of conscience that the town represents. Christy awakens our sedated morals, defending her right to unmask her tortured soul, a beautiful, vulnerable but never weak, Miss Lonely in the land of guilt". Published today in Blogcritics.org.
"In visions of the dark night I have dreamed of joy departed- But a waking dream of life and light Hath left me broken-hearted.
Ah! what is not a dream by day To him whose eyes are cast On things around him with a ray Turned back upon the past?
That holy dream- that holy dream, While all the world were chiding, Hath cheered me as a lovely beam A lonely spirit guiding.
What though that light, thro' storm and night, So trembled from afar- What could there be more purely bright In Truth's day-star?"
"It takes Bell less than three seconds to come to the conclusion that he has no regrets and slightly longer to decide if he has yet to experience professional disappointment.
"I don't go up for a huge amount of stuff because most of it is bad. But Walter Salles is making a movie of Jack Kerouac's On the Road and I went to meet him and do a reading. And straight away the part was offered to Jake Gyllenhaal. He's a great actor, older, more experienced but I was bummed. It would've been amazing to work with Salles."
Later that evening, Bell swaps his tweed trousers, T-shirt and battered trainers for a shiny suit and expensive shoes.
Introducing the film, he is slick and sure of himself but when he apologises sweetly to his mother for the sex scenes, there's a glimpse of the boy. At the party, Scots Franz Ferdinand perform an acoustic version of Hallam Foe Dandelion Blow, the song they wrote for the film after Bell found himself next to the guitarist on a plane". Source: Telegraph.co.uk/arts
"They were the rock stars of their day, a moment in which Levi's were the hot American import, neon lights were beginning their gaudy transformation of Parisian boulevards. Tattoos and piercing were omnipresent. Coke -still laced with cocaine- was imbibed.
Those five artists were Picasso, Chagall, Rivera, Soutine and Modigliani! This true story has never been told. But it will be now, if producer/director/writer Linda Yellen has her way. Yellen, of "Playing for Time," "Chantilly Lace," "Parallel Lives," "Sweet Bird of Youth" fame, has a fascinating script ready to go, titled "The Hive." James Franco and Gena Rowlands are attached, and almost every hot young actor in the business has been approached, and many have expressed interest, in playing one of the legendary painters. Yellen's dream cast? The already onboard Franco, followed by Jake Gyllenhaal, Joaquin Phoenix and -but of course- Leonardo DiCaprio.
Linda says, "No film has really been able to capture the energy and vitality of what it was like to live on the Left Bank then, to be young and ambitious and wildly sexual. The film won't look like anything seen previously. I'm working with Hybride, the SFX house that Robert Rodriguez uses to create the look for the movie." (Apparently, MAC Cosmetics liked the script concept so much they agreed to create special face and body makeup for "The Hive.")
Linda recently attended a screening of Sofia Coppola's "Marie Antoinette" and was impressed by the writer-director's modern twists on the tragic tale of France's doomed Queen. "I don't know that I'd use rock music, though that was a daring, brilliant gimmick, but like 'Marie Antoinette,' I certainly see 'The Hive' as a movie a young, modern audience could relate to. Those creative men and women of 1912 were the MTV generation of the early 20th century!"
Ms. Yellen hopes to have full cast and crew ready to go by the spring or summer of 2007". Source: Nypost.com
born wife Isabella (Reese Witherspoon) will instigate an investigation that will lead straight to Washington – the movie nails both the complexity of motivations behind the incident and a very good justification for paranoia.
sympathetic Democratic senator's aide (Peter Sarsgaard), the detainment of El-Ibrahimi draws the callow CIA analyst Douglas Freeman (Jake Gyllenhaal) right into the belly of the beast.
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