


Leonardo DiCaprio with Marion Cotillard and Christopher Nolan attending "Inception" premiere in Paris.Leonardo DiCaprio at the premiere of "Inception."
TAKING A WALK ON THE FILMIC SIDE, TRANSITING THE VINTAGE ROADS.

Jake Gyllenhaal in 'Stand Up To Cancer' Public Service Announcement
On Tuesday, Gyllenhaal will appear in a "Stand Up to Cancer" PSA that is scheduled to premiere during the Major League Baseball's All-Star Game on Fox, airing at 8/7c.
"Harvey Pekar's life was not an open book. It was an open comic book.
Pekar chronicled his life and times in the acclaimed autobiographical comic book series, "American Splendor", portraying himself as a rumpled, depressed, obsessive-compulsive "flunky file clerk" engaged in a constant battle with loneliness and anxiety.
Pekar, 70, was found dead shortly before 1 a.m. Monday by his wife, Joyce Brabner, in their Cleveland Heights home, said Powell Caesar, spokesman for Cuyahoga County Coroner Frank Miller. An autopsy will be conducted to determine the cause of death.
Pekar and Brabner wrote "Our Cancer Year", a book-length comic, after Pekar was diagnosed with lymphatic cancer in 1990 and underwent a grueling treatment. He was recently diagnosed with prostate cancer, and also suffered high blood pressure, asthma and clinical depression, which fueled his art but often made his life painful.
"American Splendor" carried the subtitle, "From Off the Streets of Cleveland," and just like Superman, the other comic-book hero born in Cleveland, Pekar wore something of a disguise. He never stepped into a phone booth to change, but underneath his persona of aggravated, disaffected file clerk, he was an erudite book and jazz critic, and a writer of short stories that many observers compared to Chekhov, despite their comic-book form.
Hope Davis and Paul Giammatti in "American Splendor" (2003)

Sight-Seeing of Jake Gyllenhaal with Reese Witherspoon in Rome on 20th October 2007 - New additions from Iheartjakemedia.com
"For Jim McAllister, the Tracy Flicks have to be stopped before they do damage to themselves and others. She is always perfectly dressed and groomed, and is usually able to conceal her hot temper behind a facade of maddening cheerfulness. But she is ruthless. She reminds me of a saying attributed to David Merrick: "It is not enough for me to win. My enemies must lose." The story, based on a novel by Tom Perrotta, shows McAllister as a dedicated teacher who is simply steamrollered by Tracy Flick.
Whatever else, he is fascinated by the phenomenon of Tracy Flick. We're inevitably reminded of Sammy Glick, the hero of Budd Schulberg's Hollywood classic What Makes Sammy Run? , who had his eye on the prize and his feet on the shoulders of the little people he climbed over on his way to the top". Source: rogerebert.suntimes.com
"It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New York’s East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristic—his congenital incapacity for friendship.
Lee Remick, Elia Kazan, Carroll Baker, Budd Schulberg and Eva Marie Saint.
"Stiller spent years working with "Permanent Midnight" writer Jerry Stahl on an update of a Schulberg script, first at Warners -- which had the rights to the book -- and later at DreamWorks (when DW negotiated a first-look deal with Stiller's production company, it paid Warners $2.6 million just for the rights to "Sammy").
"Stiller and Stahl sat down and wrote an account -- with the two men essentially interviewing themselves -- of what happened, or more accurately, didn't happen to the project. It is refreshingly self-deprecating, opening with this zinger: "I guess you could say that our relationship with Budd Schulberg was typical Hollywood: we met him, we liked each other and in the end, we kind of broke his heart.
Ben Stiller playing Jerry Stahl in "Permanent Midnight" (1998) Film Composer showreel by Ryan Collier. Movie - Jarhead. from Ryan Collier on Vimeo.
Music and editing by film composer Ryan Collier Let me first stress that I had in no way, anything to do with the actual films production. This is just an easy way to show film makers what I can add to a movie. The piece is largely electronic in style with orchestral textures. It relies on using the beat as the theme for the piece to create tension and suspense. Hope you enjoy it. Also check out the movie, it is fantastic. ryancollier.co.uk
