"AMERICAN TEEN" is the touching and hilarious Sundance hit that follows the lives of four teenagers - a jock, the popular girl, the artsy girl and the geek – in one small town in Indiana through their senior year of high school. We see the insecurities, the cliques, the jealousies, the first loves and heartbreaks, and the struggle to make profound decisions about the future. Filming daily for ten months, filmmaker Nanette Burstein (ON THE ROPES, THE KID STAYS IN THE PICTURE) developed a deep understanding of her subjects. The result is a film that goes beyond the enduring stereotypes of high school to render complex young people trying to find their way into adulthood. Hannah Bailey is smart and beautiful, but a misfit in her high school. She is a liberal, atheist living in a traditional, Christian, conservative town and dreams of moving to California after graduation. Colin Clemens is the star of the high school basketball team - and in Indiana, basketball is everything. Colin is under enormous pressure this year playing not only to make his town, his school, and his father proud, but for a college scholarship. Jake Tusing is considered to be a nerd in high school. Though quite funny and charming one-on-one, he is painfully shy in group situations and crushed with self-doubt. In his senior year he vows that nothing will stand in the way of him finding a girlfriend. Megan Krizmanich is the student council Vice President and the youngest daughter of a prominent local surgeon, anxiously awaiting word from Notre Dame University admissions. Wealthy, pretty, smart and popular, she rules her high school - just don’t get on her bad side. When Megan’s peers challenge her authority, she can’t help but take action, even if it means risking her future. Mitch Reinholt is an attractive and charming Varsity basketball jock with a soft side. When he puts his social status on the line, avoiding his popular friends for dates with artsy Hannah Bailey, he strains to maintain his reputation while discovering a new side of himself. With extraordinary intimacy and a great deal of humor, AMERICAN TEEN captures the pressures of growing up – pressures that come from one’s peers, one’s parents, and not least, oneself". Source: www.joblo.com
We have a new affiliate site with Jake Weird, dedicated to the beautiful and classy actress Mary Elizabeth Winstead, whose main roles are: Young Evelyn in "The Ring Two" (2005), Gwen in "Sky High" (2005), Susan in "Bobby" (2006), Wendy in "Final Destination 3" (2006), Ingrid Superstar in "Factory Girl" (2006), Heather in "Black Christmas" (2006), Lucy in "Live Free or Die Hard" (2007), Lee in "Death Proof" (2007), and in the upcoming "Make It Happen" (2008) as Lauryn and"Scott Pilgrim vs. the World" (2009) as Ramona Flowers.
"The true strength of the final complete performance of Ledger's life lies in his much longer monologues. You see, you may think he's playing The Joker, but he's actually playing the Devil. He weaves truth and lies; every scheme is designed to wreak havoc on multiple layers, including ones that aren't always evident at first; he can also make you feel downright sorry for the guy as he weaves one of many autobiographies spins during the course of the film. He's a master manipulator, and wherever he is, he's the smartest guy in the room. Yes, he's insane, but he's going to let you think he's think that crazy equals reckless and unintelligent. He is neither.
Of course, a lot of what I've just discussed is as much a testament to the writers of The Dark Knight as Ledger. What Ledger adds to the mix is something he's clearly picked up from this version of The Joker. Just as Batman's archenemy has no moral code or fiber, Ledger has completely ripped to shreds everything he and we have come to accept and settle for when it comes to a portrait of evil. He has dismantled the status quo of how bad guys have been played in the past, and delivered a big whopping "Fuck You" to every overacting, mustache-twirling ham who thinks that simply slicking back your hair and wearing dark clothes is the way villainy should be played in film. Watching Ledger move like a rabid animal or subtly flick his tongue like an angry serpent is to behold something you have never seen on screen before and probably will not again in your lifetime. Joker saga is more than just the greatest superhero movie ever made (and that it certainly is), but it's the year's finest crime drama, greatest character study, and greatest acting performance.
Not to oversell Ledger's work (too late!), but seeing his version of The Joker actually made me mad at Jack Nicholson for not taking it far enough. Nicholson made a career out of being edgy and no-holds barred, but he and Tim Burton decided to make The Joker a clown instead of a true maniac. I'm sure it was not Nolan's intention, but his film made me dislike a film I once enjoyed because I now see that Nicholson's Joker is a pussy. I still think Michael Keaton was a decent Batman, but Christian Bale has such great pent-up (and sometimes not so pent-up) rage in him this time that no one can hold a candle to the dimensions he's adding to either side of his identity. Bruce Wayne gets as much time on screen as his costumed alter ego (maybe even more).Maggie Gyllenhaal steps into Katie Holmes' role from the first film as Rachel Dawes, Wayne's childhood sweetheart and one of the few civilians who knows about his secret life. I guess I understand why the Batman films need a strong female presence, but the truth is, I've never liked any of the women in any of the Batman movies. Gyllenhaal's Rachel comes the closest to having a purpose other than slinking things up a bit and providing evidence that our hero is more than a shallow playboy (that said, Dark Knight's running joke about Bruce hooking up with the Russian Ballet is priceless). Rachel is torn between her true love and her new love, the "White Knight" district attorney Harvey Dent (Aaron Eckhart, in easily the finest performance he has ever given). The film's recurring theme of man's duality obviously comes to a head when Dent's face is severely burned thanks to a booby trap set by The Joker, but it's also driven home with The Joker himself, who makes the interesting observation that he and Batman are just different kinds of crazy. And Batman doesn't argue".
"Everyone loved Ellen Page’s performance in last year’s movie sleeper, Juno. But Michael Cera was equally impressive, in my opinion, as the down to Earth would be boyfriend. There’s no funnier young actor in Hollywood than Cera and it looks like he is going to continue his rise to stardom in the highly buzzed Nick and Norah’s Infinite Playlist. Here’s a look at the film’s first poster. Very Juno-esque. Props to MTV Movies Blog for the image.
Nick And Norah’s Infinite Playlist, based on the best-selling novel, centers around Nick O’leary (Cera), group member of the Jerk Offs, and his chance encounter with Norah Silverber (Kat Dennings), who he asks to be his 5 minute girlfriend so that he can avoid his ex.Cera is money in everything he does. He doesn’t mug for the camera in his dramatic roles and might be the best thing to happen to romantic comedies since John Cusack. (Think Say Anything and High Fidelity.) Everyone with a pulse has seen him in Superbad. But if you haven’t seen him on Arrested “Development”, “Tim and Eric Awesome Show, Great Job”, or his own hysterical web series “Clark and Michael” then you owe it to yourself to check it out". -by Adam Sweeney Source: www.filmschoolrejects.com "He made his feature film debut at 17, acting alongside Rob Lowe and Andrew McCarthy in the romantic comedy Class (1983). His next role, as a member of Anthony Michael Hall's geek brigade in Sixteen Candles (1984), put him on track to becoming a teen-flick fixture. Cusack remained on the periphery of the Brat Pack, sidestepping the meteoric rise and fall of most of his contemporaries, but he stayed busy with leads in films like The Sure Thing (1985) and Better Off Dead... (1985). Young Cusack is probably best remembered for what could be considered his last adolescent role: the stereo-blaring romantic Lloyd Dobler in Say Anything... (1989). In 2006 when Total Film magazine asked him for a "Top 5" list of his movies, he answered with The Grifters (1990), Grosse Pointe Blank (1997), The Thin Red Line (1998), High Fidelity (2000) and Max (2002/I). Source: www.imdb.com Artist on Artist: John Cusack and Diablo Cody
"AMERICAN TEEN" is the touching and hilarious Sundance hit that follows the lives of four teenagers - a jock, the popular girl, the artsy girl and the geek – in one small town in Indiana through their senior year of high school. We see the insecurities, the cliques, the jealousies, the first loves and heartbreaks, and the struggle to make profound decisions about the future. Filming daily for ten months, filmmaker Nanette Burstein (ON THE ROPES, THE KID STAYS IN THE PICTURE) developed a deep understanding of her subjects. The result is a film that goes beyond the enduring stereotypes of high school to render complex young people trying to find their way into adulthood. Hannah Bailey is smart and beautiful, but a misfit in her high school. She is a liberal, atheist living in a traditional, Christian, conservative town and dreams of moving to California after graduation. Colin Clemens is the star of the high school basketball team - and in Indiana, basketball is everything. Colin is under enormous pressure this year playing not only to make his town, his school, and his father proud, but for a college scholarship. Jake Tusing is considered to be a nerd in high school. Though quite funny and charming one-on-one, he is painfully shy in group situations and crushed with self-doubt. In his senior year he vows that nothing will stand in the way of him finding a girlfriend. Megan Krizmanich is the student council Vice President and the youngest daughter of a prominent local surgeon, anxiously awaiting word from Notre Dame University admissions. Wealthy, pretty, smart and popular, she rules her high school - just don’t get on her bad side. When Megan’s peers challenge her authority, she can’t help but take action, even if it means risking her future. Mitch Reinholt is an attractive and charming Varsity basketball jock with a soft side. When he puts his social status on the line, avoiding his popular friends for dates with artsy Hannah Bailey, he strains to maintain his reputation while discovering a new side of himself. 
With extraordinary intimacy and a great deal of humor, AMERICAN TEEN captures the pressures of growing up – pressures that come from one’s peers, one’s parents, and not least, oneself". 
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