Ryan Gosling.
Angelina Jolie and Brad Pitt.
Kate Hudson.
Ellen Page.
Ellen Pompeo.
Jena Malone.
Marion Cotillard.
TAKING A WALK ON THE FILMIC SIDE, TRANSITING THE VINTAGE ROADS.
Kirsten Dunst is in negotiations and Ryan Gosling has signed on for All Good Things, a period love story/murder mystery Andrew Jarecki (Capturing the Friedmans) is directing for Groundswell Prods. Marcus Hinchey, Marc Smerling, and Jarecki wrote the screenplay, which tells the story of a 1980s New York real estate suit (Gosling) who falls for a girl from the wrong side of the tracks (Dunst) who goes missing. When a detective uncovers info on her whereabouts, the political stakes begin to rise and people close to the situation wind up dead. Shooting is set to start in April. Dunst is at Sundance promoting her directorial debut, the short Welcome. She most recently starred in Spider-Man 3 and next appears in How to Lose Friends and Alienate People.
Gosling is receiving awards-season recognition for his starring role in Lars and the Real Girl. He recently dropped out of Peter Jackson's The Lovely Bones. (Variety) Source: www.ew.com
It's terrible for me making this post, this is an increasingly sadder and weirder world which we live in,
First the inspiring young actor Brad Renfro died on 15th January, at age 25 -
he had starred in "Bully" with Bijou Phillips, now Heath Ledger has been found dead at age 28, due to a overdose of pills, when our memories of him as Ennis del Mar are still so intensely attached to our hearts. He starred with Jake in a classic film, with a memorable last scene we won't ever been able to forget. R.I.P.
With her ex-fiancée Michelle Williams.
Starring in "Candy" with Abbie Cornish.
"Zia (Patrick Fugit) is a lonely young man who, saddened by his
recent breakup with his blonde girlfriend Desiree (Leslie Bibb), decides in a fit of depression after listening to a depressing song, to cut his wrists in the bathroom. As the tile becomes covered with blood, he falls unconscious to the floor, his last moment a flash of a dust bunny in a corner he had missed while cleaning.
"Wristcutters: A Love Story" is the directorial debut of Croatian Goran Dukic, who developed the script at the Sundance Screenwriters Lab in 2004, based on a short story by Israeli writer/actor Etgar Keret titled "Kneller’s Happy Campers". Dukic studied cinema in Zagreb and later at the American Film Institute, specializing in shorts. One of them, "Mirta uci statistiku" (1991), was critically well received, heralded as one of the best Croatian films. Dealing with the controversial subject of suicide, Wristcutters, after being a nominee at Sundance 2006 for the Grand Jury Award, won the best feature award in the Gen Art Film Festival and nominations for best first feature and best script in the Independent Spirit Awards (2007).
works as an employee in the grime "Pizzeria Kamikaze" in the suburbs; every morning he contemplates his unhappy face in a distorting mirror while he's dressing in a dull uniform.
When Zia sits down with her friend Rachel (Sarah Roemer), a funny Russian ex-rocker approaches Zia and he tells him how he electrocuted himself at a concert by pouring beer over his guitar, angered by an ungrateful audience.
Eugene (Shea Whigham), who is based on the real life rocker Russian-Ukranian Eugene Hütz, leader of the Gypsy punk band "Gogol Bordello", which contributed to the soundtrack with three songs, "Occurances at the Border", "Through the Roof and Underground", and "Huliganjetta".
The reason for searching for Desiree is obviously because she has killed herself too and Zia needs to find her at any cost.
Mikal (Shannyn Sossamon) joins them in pursuit of a mistrial. She wants her case to be rejudged by the PIC (People In Charge), which would bring her back to the living land, since she claims she didn't intent to die, she just got a heroin overdose by accident and she hates wandering around this parched monotonous limbo: "Everybody is an asshole", "Who the hell wants to be stuck in a place where you can't even smile?"
she whines while both men listen to her rants, progressively seduced by her beauty and her non-comforming spirit.
Tom Waits turns up as Kneller, the mysterious angel-prophet of a desert camp where people can learn to perform miracles and he shows great sympathy toward Zia when he gives the insightful warning to him that small miracles are possible if you don't force them. "As long as you want it so bad, it's not going to happen", he says in his usual raspy voice.
Zia, the impressionable slacker, and Mikal, the gothic nymph, begin a strange relationship that neither seems to be able to articulate appropriately, although deep down they know they were meant to be, as in the beach scene when Zia tells Mikal he feels happy with her and he'd like to go back to his past life and start anew.
The most symbolic shot for me (and which the film's poster is based on), out of all of the symbolic imagery used by Dukic, like flying lit matches, withered flowers or black loopy holes, is when Zia and Mikal wake up surrounded by a sea of condoms and needles, a saturated reminder of an upcoming world inbred by our own societal depression and promiscuity.
good-natured antiheroes who deserve a second chance, and the atmosphere of sincere dottiness avoids falling into the trap of excessive "trendy quirks" that plague some low-budget films. "Quirk is odd, but not too odd. That would take us all the way to weird, and there someone might get hurt," is Michael Hirschorn's opinion in his article "Quirked Around".
