
TAKING A WALK ON THE FILMIC SIDE, TRANSITING THE VINTAGE ROADS.
"Zia (Patrick Fugit) is a lonely young man who, saddened by his
recent breakup with his blonde girlfriend Desiree (Leslie Bibb), decides in a fit of depression after listening to a depressing song, to cut his wrists in the bathroom. As the tile becomes covered with blood, he falls unconscious to the floor, his last moment a flash of a dust bunny in a corner he had missed while cleaning.
"Wristcutters: A Love Story" is the directorial debut of Croatian Goran Dukic, who developed the script at the Sundance Screenwriters Lab in 2004, based on a short story by Israeli writer/actor Etgar Keret titled "Kneller’s Happy Campers". Dukic studied cinema in Zagreb and later at the American Film Institute, specializing in shorts. One of them, "Mirta uci statistiku" (1991), was critically well received, heralded as one of the best Croatian films. Dealing with the controversial subject of suicide, Wristcutters, after being a nominee at Sundance 2006 for the Grand Jury Award, won the best feature award in the Gen Art Film Festival and nominations for best first feature and best script in the Independent Spirit Awards (2007).
works as an employee in the grime "Pizzeria Kamikaze" in the suburbs; every morning he contemplates his unhappy face in a distorting mirror while he's dressing in a dull uniform.
When Zia sits down with her friend Rachel (Sarah Roemer), a funny Russian ex-rocker approaches Zia and he tells him how he electrocuted himself at a concert by pouring beer over his guitar, angered by an ungrateful audience.
Eugene (Shea Whigham), who is based on the real life rocker Russian-Ukranian Eugene Hütz, leader of the Gypsy punk band "Gogol Bordello", which contributed to the soundtrack with three songs, "Occurances at the Border", "Through the Roof and Underground", and "Huliganjetta".
The reason for searching for Desiree is obviously because she has killed herself too and Zia needs to find her at any cost.
Mikal (Shannyn Sossamon) joins them in pursuit of a mistrial. She wants her case to be rejudged by the PIC (People In Charge), which would bring her back to the living land, since she claims she didn't intent to die, she just got a heroin overdose by accident and she hates wandering around this parched monotonous limbo: "Everybody is an asshole", "Who the hell wants to be stuck in a place where you can't even smile?"
she whines while both men listen to her rants, progressively seduced by her beauty and her non-comforming spirit.
Tom Waits turns up as Kneller, the mysterious angel-prophet of a desert camp where people can learn to perform miracles and he shows great sympathy toward Zia when he gives the insightful warning to him that small miracles are possible if you don't force them. "As long as you want it so bad, it's not going to happen", he says in his usual raspy voice.
Zia, the impressionable slacker, and Mikal, the gothic nymph, begin a strange relationship that neither seems to be able to articulate appropriately, although deep down they know they were meant to be, as in the beach scene when Zia tells Mikal he feels happy with her and he'd like to go back to his past life and start anew.
The most symbolic shot for me (and which the film's poster is based on), out of all of the symbolic imagery used by Dukic, like flying lit matches, withered flowers or black loopy holes, is when Zia and Mikal wake up surrounded by a sea of condoms and needles, a saturated reminder of an upcoming world inbred by our own societal depression and promiscuity.
good-natured antiheroes who deserve a second chance, and the atmosphere of sincere dottiness avoids falling into the trap of excessive "trendy quirks" that plague some low-budget films. "Quirk is odd, but not too odd. That would take us all the way to weird, and there someone might get hurt," is Michael Hirschorn's opinion in his article "Quirked Around".
"Check out Jake Gyllenhaal and Reese Witherspoon enjoying a nice stroll through the Los Angeles Park yesterday with Reese's two children, Deacon and Ava. Say what you will about their relationship, but it looks to me like Jake is stepping in fairly well as the guy who carries the kids on his shoulders. I also like Daddy Darko's combination of beard and flannel! Lumber-Jake!"
It's been a while since Jake and Reese made their big "breakthrough" in Rome. Now they seem having created a sort of family with Reese's kids. Jake has a daddy face these days, HAPPY NEW YEAR 2008 to all my readers!




"It’s all in the family for Reese Witherspoon and Jake Gyllenhaal!
