Hair Stroking

Coincidences

"Young men everywhere are aging at warp speed, and irony -the missile shield of another era- is of limited use to us anymore. "To have someone as good-looking as Jake inhabit a character who's alienated, who's an outsider, puts a face on that archetype that's very real", says "Donnie Darko" writer-director Richard Kelly, "part of the reason people have embraced the character is because they see part of themselves in him" -GQ magazine interview, June 2004.
"Watching it ["Brick"] is watching something magical. "Brick" is one of the most quotable movies I have ever seen. There are parts that some people won't even understand at all, and when people come up to me quoting lines from this movie, I'll really get a kick out of that" -Joseph Gordon-Levitt for an interview in Ellegirl magazine, 2005.





Sarah Roemer Looks Like Ellen Pompeo: "Seriously. I was looking at the LA premier pics of Disturbia and ever time she came up I thought she was Ellen Pompeo. She's got the same smile and hair and tan. Its uncanny." -HellBoy_Chick in IMDb message board for Sarah Roemer.
Ellen Pompeo with Jake Gyllenhaal.
Sarah Roemer with Joseph Gordon-Levitt.

Mary Jane and Kirsten

"In Spider-Man 3, she begins – oh, the ennui – with an upside-down love scene in a spider’s web. Then she unceremoniously dumps Peter Parker, Spider-Man’s human side.
‘After the success of the first film I got my own hair, make-up and wardrobe people,’ says Dunst. ‘And it’s fun to have your own posse. But I hate the action sequences.
They are slow, painful and very boring to make, as all the action is generated by computers. You sit in a trailer all day doing nothing.

You arrive at 6am, get all dressed up, put on your make-up and it seeps into your pores all day long, which makes me feel like I want to shoot myself.
She dated Dustin Hoffman’s actor son Jake for a while, then actor Ben Foster. After that came her three-year relationship with Jake Gyllenhaal.
‘I’ve only had three relationships in my life and because of them I started to think about everything differently,’ she says. But men get possessive. They love you so much and get angry at your family and then I started to get angry at my family.
I also saw how much someone can judge you and your situation. After my last relationship, I realised just because your family is not like theirs, it doesn’t mean your family isn’t any good.

So I’ve been by myself ever since. No boyfriend. I just haven’t met the person to blow me away yet. I have high standards.
Listening to Dunst, what’s interesting is that she seems to have come through it all relatively unscathed. She’s composed and articulate. She is philosophical now about her childhood and has managed to avoid the pitfalls child stars typically fall into.
‘I drink moderately,’ she says. ‘I’ve tried drugs. I do like weed. I have a different outlook on marijuana than America does.

My best friend Sasha’s dad was Carl Sagan, the astronomer. He was the biggest pot smoker in the world and he was a genius.

‘I’ve never been a major smoker, but I think America’s view on weed is ridiculous. I mean – are you kidding me? If everyone smoked weed, the world would be a better place.’
She also reveals that, contrary to reports, there is likely to be at least one more Spider-Man film. And despite all that hanging-around-the-trailer boredom, she’s up for it.

‘Yes, I’d definitely do Spider-Man 4. As long as Sam Raimi is the director and Tobey is the star and there is a good story to tell – I’ll be there with bells on.’
Source: www.dailymail.co.uk

Telephoning

"The Lookout" Review

"Something in the middle of nowhere. Little farm bank where they get all that USDA money. The four to five million cash that comes twice a year. Farm subsidy money."

In "The Lookout", directed and written by Scott Frank (screenwriter of "Out of Sight" and "Get Shorty"), Gary Spargo (Matthew Goode) plays the devil's advocate, a shady character, in appearance a formulaic plain thug, but some brilliant philosophical conclusions often burst forth from his mouth whenever he's confronted with our bank nighttime clerk protagonist, Chris Pratt (Joseph Gordon-Levitt). Pratt is afflicted with a frontal lobe malfunction of his brain after surviving an accident four years ago when he was a hockey hero in his nativesmall town of Noel, Kansas. Chris walks funny and doesn't get along well with his estranged parents who don't visit his place (Bruce McGill and Alberta Watson), and his only friend is a blind man Lewis (Jeff Daniels), who works for a flower shop online. Lewis helps Chris to organize his messed-up sequencing of daily tasks as if it was an important story he must follow, listing such banal events as taking a shower, turning off the alarm, or cooking, creating a sense of order. Chris is encouraged by Lewis to make small progresses despite his terrible condition, so much so that Chris even tries to convince his boss Mr. Tuttle (David Huband) that he could be a competent teller at The Noel State Bank & Trust. If given a chance, he could be as friendly and accurate as Mrs. Lange (Alex Borstein) who "is never out of balance". But after attending a Thanksgiving day celebration in his parents' home, the tension between them refloats his internal bitterness again: "Never come back home", Lewis warns him. His interactions with women are also frustrating: the scene when he is disinhibited in presence of his caseworker Jane (Carla Gugino) is an embarrassing proof of it; his social skills are weak, although some are friendly to him, like Deputy "Donut" Ted Tillman (Sergio di Zio) -who jokes with Chris and whose wife is pregnant- he's the archetypal affable character we can find in classical noir cinema.
So when Gary -who suffers from anhelation breathing- chats Chris up about a risky business which he's been planning, this reactivates Chris' hidden desire to become a winnner for second time ("The Mustangs are the new state champions!").
Of course meeting ex-stripper, asthmatic Gary's collaborator and ditzy femme-fatale Luvlee Lemons (Isla Fisher), blinds him eventually after a seduction game so long needed by our sexually tormented ex-athlete. But for Lewis, this new redheaded female companion isn't good news -he makes a sleuthing report of her perfume, her "performer" vocation, and intentions for good measure. Gary's message ("whoever has the money has the power", or quoting Amber Pawlik "money is the cure to all evil") is almost the only honest thing that resonates in Chris' ears these days, and his father isn't disposed to lend him money for the moment. Chris is unable to forgive himself for the maiming of his ex-girlfriend Kelly (Laura Vandervoort) in the accident that left him brain-damaged, and in a dream she says that she’s no
longer mad at him. The plot is divided in a third act of heist and gunfires, but especially in the moral order that Chris must pass through, where he will have to discern who must be saved or killed. "The simple truth is, Chris you're smart enough, you can get away with anything, including murder", is like an echo of that new brand convertible crashed into a truck because of Chris' negligence turning his car's lights off while he drove in company of best pal Danny Stevens, Danny's girlfriend (Nina) and his blonde cheerleader Kelly. The film's metaphor could be more complex we'd suppose, the opposite stages of Chris as the high school victor, admired and envied (by Gary and Luvlee among them), and the lonely has-been, angry victim he's become.
In Amber Pawlik's words: "Despite popular belief, evil is not the product of people who feel confident in their ability to negotiate reality. Evil has always been the product of have-nots. [...] Indeed, I am looking forward to the movie that actually captures evil for what it is. A movie in which the antagonist is not the ultra-intelligent Ph.D, but rather the person who has slipped into the evils of victimology."

"And of better days
From this town, we'd escape
If we holler loud and make our way
We'd all live one big holiday."
("One Big Holiday" song by "My Morning Jacket",
from the film's opening sequence.)
Published today in Blogcritics.org

Through the eyes

"The strongest actor in Donnie's life is "frank", a hallucination that has come into existence (in Donnie's mind) to aid Donnie in his task. Through the eyes of (an assumed) schizophrenic, we can never really know for sure what Donnie experienced during those 28 days. What we know with confidence is that during his tenure as the Living Receiver, Donnie finally overcame his fears of death and loneliness, finding love in Gretchen. In his death, Donnie finally found peace." Source: www.The-elite.net
"And so when Brendan hides his eyes in "Brick", we know it's because there's something there —something in them— that he doesn't want us to see; not because they're empty." -by Meghan O'Rourke. Source: www.Slate.com