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Monday, June 04, 2012

Paulette Goddard, and the femme-fatales of yesteryear and today

Happy Anniversary, Paulette Goddard! Born Pauline Marion Goddard Levy on June 3, 1910 in Whitestone Landing, Long Island, New York, Died: April 23, 1990 in Ronco, Switzerland

"Leave yourself alone as much as possible. Don't worry. I never do. I'm too busy remembering things" -Paulette Goddard

Pauline Marion Goddard Levy was born in Whitestone Landing, New York, on 3 June 1910. She was a beautiful child who began to model for local department stores before she made her debut with Florenz Ziegfeld's Follies at the age of 13. For three years, she astounded audiences with her talent. It wasn't until 1936 that Paulette would again appear in a motion picture, in Modern Times (1936). Once again she found herself with a bit part. Finally, after ten years, she gained a decent part in George Cukor's The Women (1939), and Paulette thought that maybe her career was finally taking off. In her next film, she played Joyce Norman in The Cat and The Canary (1939), which was intended to be a send-off vehicle for Bob Hope. It not only did that, but it also established Paulette as a genuine star.

Her performance won her a ten-year contract with Paramount Studios, which was one of the premier studios of the day.

Paulette Godard teamed up with the great Fred Astaire in the acclaimed musical "Second Chorus" (1940) directed by H.C. Potter.

Paulette Goddard photographed by Clarence Sinclair Bull, 1932.

where are the femmes fatales of yesteryear? One thinks of pesky Paulette Goddard who married four times, thrice to famous men: Charlie Chaplin, Burgess Meredith, and Erich Maria Remarque.

Or Rita Hayworth who wed Orson Welles, Dick Haymes and Prince Aly Khan. Source: www.huffingtonpost.com

Keira Knightley in a sophisticated femme-fatale pose for "Interview Magazine" (photoshoot - April 2012)

After years of speculation, possible false starts, casting rumours and constant questions for Robert Rodriguez and Frank Miller, Sin City 2 - officially now known as Frank Miller’s Sin City: A Dame To Kill For - finally solidified last month with a for-real-this-time-no-take-backs announcement from its co-directors. With Cannes in full swing, The Weinstein Company has taken the chance to announce the movie’s planned US (and possibly worldwide) release date and confirm that Jessica Alba and Mickey Rourke will return.

Jaime King as Goldie/Wendy in a scene from "Sin City" (2005)

With a script by Rodriguez and The Departed’s William Monahan, the Sin City sequel will start shooting later this summer at RR’s Troublemaker Studios in Texas, and will emerge into the wild on October 4 next year. Source: www.empireonline.com

Christopher Nolan Explains What Makes Catwoman a Femme Fatale in 'Dark Knight Rises': The English filmmaker branded the female character a "very iconic figure in the Batman pantheon", but revealed she will not be referred by the name in the forthcoming movie. He said, "I was nervous about how she would fit into our world. But Jonah [Nolan] was very much convinced that there would be a great way to do it and eventually turned me around."

The director went on sharing that he eventually decided to present the character as a dangerous lady in his movie. "Once I got my head around the idea of looking at that character through the prism of our films, saying, 'Who could that person be in real-life?', we figured it out. She's a bit of a con-woman, something of a grifter. A hard-edged kind of criminal." Source: www.aceshowbiz.com

Friday, June 01, 2012

"Donnie Darko" & "God Bless America" (Darko Entertainment)

Jake Gyllenhaal in "Donnie Darko" (2001) directed by Richard Kelly

"After the roaring success of its inaugural weekend last summer, Pop Up Screens is finally back with a fantastic line up of outdoor, open-air weekend screenings throughout the summer around London... where Bishop’s Park sees a trilogy of modern movies. Friday sees the interesting if confused Scott Pilgrim fighting through the seven evil exes of the object of his affections. Saturday things get violent with David Fincher’s Fight Club, before Sunday gets weird and wonderful with Donnie Darko. This is one that I can’t wait to experience outdoors. Darko captures a sense of time and place and creates a tone and atmosphere like few other movies manage." Source: whatculture.com

Jake Gyllenhaal (wearing a grey hoodie in "Donnie Darko" fashion) filming "An Enemy" (On Set in Toronto, May 31, 2012)

Jake Gyllenhaal, Jena Malone and director Richard Kelly on the set of "Donnie Darko" (2001)

Donnie Darko's director Richard Kelly has planned to start filming in Corpus Christi and Austin this summer for the aptly-titled movie Corpus Christi, according to Joe M. Connell's blog. The movie is about a mentally unstable Iraq War veteran who becomes friends with his boss and politcially ambitious supermarket chain owner. Variety reported that Edgar Ramirez (Carlos) is set to star in the movie, financed by Robert Rodriguez's Quick Draw Productions. Source: www.slackerwood.com

Donnie (Jake Gyllenhaal), Gretchen (Jena Malone) at the cinema with Frank in "Donnie Darko" (2001)

Roxy (Tara Lynne Barr) and Frank (Joel Murray) at the cinema in "God Bless America" (2011)

Starring Joel Murray and Tara Lynne Barr, GOD BLESS AMERICA is a Darko Entertainment production written and directed by Bobcat Goldthwait, and produced by Sean McKittrick and Jeff Culotta. GOD BLESS AMERICA is the second collaboration between Goldthwait, Darko and Magnolia/Magnet, who released "World’s Greatest Dad" in 2009 (official press release for Magnet’s acquisition of "God Bless America").

Producer Richard Kelly and writer/director Bobcat Goldthwait at the "World's Greatest Dad" premiere during the 11th annual CineVegas film festival on June 14, 2009 in Las Vegas, Nevada.

Bob Goldthwait Holds Mirror to American Society in "God Bless America":

"Frank is Goldthwait’s darkest thoughts manifested. He even incorporates parts of his stand-up routine into the dialogue, such as a desire to rig telephones so every time someone voted on ‘American Idol Superstarz’, a mark would be burned into the side of their face and he would know who to avoid talking to." Source: whatculture.com

Tara Lynne Barr as Alice in "Wonderland" on stage (2010)


If you follow the parallel-universe theme but do not like the religious reading, you might see Frank as simply analogous to the White Rabbit from Alice in Wonderland. The White Rabbit had some scheduling concerns ("I'm late, I'm late, for a very important date") and led Alice down to a bizarre alternative world. Like the White Rabbit, Frank is under time constraints, having only 28 days to get Donnie with the program. And when he first leads Donnie out to the local golf course, scene of Donnie's first vision of him, one could say that Frank has inserted Donnie into the spiral of a new time/space dimension, just as the White Rabbit did for (to) Alice. In short, rabbit hole in Alice in Wonderland is wormhole in Donnie Darko, and both access a new reality.

Frank The Rabbit: What does the rabbit mean? That depends on how you interpret the movie. If you think that the film is a serious exploration of physical/metaphysical reality, you're apt to see Frank as a kind of rabbit-angel. His role is to guide a reluctant hero into becoming the instrument of God. In this reading, God wishes to save earth, and unfortunately (or not) this entails getting Donnie to commit criminal and destructive acts. Within this context, Frank's ugliness might be explained as the destructive side of salvation. Perhaps he is a monstrous rabbit in order to suggest that Donnie himself must become both prey/victim and a kind of spiritual predator.

If you're inclined to see Donnie as just a very disturbed teenager, then Frank is a tad more malicious. He embodies the dark, destructive side of Donnie, imagined as the flip side of the rabbit stereotype: ugly instead of cute, bizarre instead of familiar, destructive instead of reproductive, and so on. In this reading, Frank stands not just for the evil side in Donnie but in all of us. Source: www.rabbit.org

Thursday, May 31, 2012

Jake Gyllenhaal and Melanie Laurent on the set of "An Enemy" in Toronto

Jake Gyllenhaal and Melanie Laurent on the set of "An Enemy" (2013) on May 29, 2012

Jake Gyllenhaal and Melanie Laurent on the set of "An Enemy" (2013) on May 31, 2012

Tuesday, May 29, 2012

Jake Gyllenhaal filming "An Enemy" in Toronto

Poster of Jake Gyllenhaal in "An Enemy" (2013) directed by Denis Villeneuve. Plot: A man seeks out his exact look-alike after spotting him in a movie.

Jake Gyllenhaal on the set of "An Enemy" in Toronto, Canada, on May 27, 2012

Thursday, May 24, 2012

"God Bless America" (I Love America) video




A musical video with some scenes from "God Bless America" by Bobcat Goldthwait, starring Joel Murray and Tara Lynne Barr. Songs "I love America" and "I Never Cry".

Joel Murray, Tara Lynne Barr and director Bobcat Goldthwait of "God Bless America" pose for a portrait during the 2011 Toronto Film Festival on September 10, 2011 in Canada.

Joel Murray and Tara Lynn Barr "God Bless America" screening at the Alamo Drafthouse for SXSW 2012.

Wednesday, May 23, 2012

Jake Gyllenhaal on the set of "An Enemy" in Toronto

Jake Gyllenhaal on the set of "An Enemy", May 22, 2012, in Toronto

"Jake Gyllenhaal plays a history teacher living a quiet life with his girlfriend until he discovers a physically identical man living nearby with his pregnant wife. The teacher stalks his double until the couples’ lives become intertwined with lethal consequences. Javier Gullón adapted José Saramago’s book The Double for the screen. Producers are Niv Fichman and Miguel Faura. Pathé has French and UK rights with Alliance handling Canada. Mélanie Laurent ('Inglourious Basterds'), Sarah Gadon ('Cosmopolis'), and Isabella Rossellini will join Jake in the flick." Source: www.deadline.com

Tuesday, May 22, 2012

Jake Gyllenhaal & Naomi Foner in Bleecker Street, New York City

Jake Gyllenhaal out with mother Naomi Foner in New York City, on May 20, 2012

Jake is due to start work on the motion picture "An Enemy" this week in Toronto, Canada. But before jetting off – where he will be until July - Gyllenhaal spent time with his mother Naomi Foner in New York City, trying to go incognito as they caught a cab with a friend in the Big Apple’s Bleecker Street. He dressed casually in a navy blue T-shirt and green trousers with grey trainers, covering his eyes up with reflective sunglasses. Source: www.dailymail.co.uk

Monday, May 21, 2012

Happy Anniversary, Kay Kendall!

Happy Anniversary, Kay Kendall (1927 - 1959)

Actress Kay Kendall photographed by Virgil Apger, 1950s

Kay Kendall died young. She was at the height of her fame, but she had leukaemia. Her screen persona was a curious mixture of fifties poise and glamour and a throw-back to thirties screwball heroines. Born in a showbiz family, she was dancing in the chorus at the Palladium by the time she was 12. She got a few bit parts and then got a big role in a major event movie, "London Town". Unfortunately this expensive debut film for comedian Sid Field was one of the biggest flops in British cinema history.

Kay Kendall as Rosalind Peters in "Genevieve" (1953) directed by Henry Cornelius

Her performance in "It Started In Paradise" got her a contract at Rank, and her first film there was the mega-hit "Genevieve". After a teeny part in another mega-hit "Doctor in the House" she became one of Rex Harrison's wives in the bigamy comedy The Constant Husband. There then followed a dispute about the quality of scripts offered to her by Rank and her contract was suspended.

Kay Kendall, Gene Kelly, Taina Elg and Mitzi Gaynor in "Les Girls" (1957) directed by George Cukor

In 1958, Kay Kendall won a Golden Globe Award for her performance as Lady Sybil Wren in Les Girls – probably one of the best-known films of her career – the story of three showgirls in postwar Paris (the other actresses were Mitzi Gaynor and Taina Elg).

"Kay Kendall was petrified at the thought of having to sing and dance and was, initially, promised she would not have to do either. As it turned out, she had two numbers in the film, one with Gene Kelly and one with the two other girls. 'She came to me in a state of shock', said Jack Cole, 'and she was ready to quit when she heard she'd have to do a number with Gene. The result was that whenever she was on the screen, you couldn't take your eyes off her. And she was right. She couldn't dance. But in the 'Ladies in Waiting' routine, her presence was so stunning she took the number clean away from Mitzi Gaynor and Taina Elg -neither of whom had her star quality which, in this business, is all that counts". -"Gene Kelly: A biography" (1974) by Clive Hirschhorn

Kay Kendall married Rex Harrison in 1957 and tried to keep working but it was difficult and Rank had started to sue for breach of contract when she passed on. She left behind a memory of a truly beautiful person.