












Jake Gyllenhaal at 'Jarhead' Press Conference in Los Angeles,on October 25, 2005


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Jake Gyllenhaal with Greta Caruso in Greenwich Village, NYC, on 20th October 2006 (The blonde woman behind Jake and Greta looks like Gwyneth Paltrow!)
TAKING A WALK ON THE FILMIC SIDE, TRANSITING THE VINTAGE ROADS.













Jake Gyllenhaal at 'Jarhead' Press Conference in Los Angeles,

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Jake Gyllenhaal with Greta Caruso in Greenwich Village, NYC, on 20th October 2006 (The blonde woman behind Jake and Greta looks like Gwyneth Paltrow!)


Kristen Stewart and Robert Pattinson
Dustin Hoffman and Jake Gyllenhaal in "Moonlight Mile" (2002)
Jake Gyllenhaal, Heath Ledger and Michelle Williams at British Academy Film Awards (BAFTA's) on February 19, 2006
Matt Damon and Emily Blunt in The Adjustment Bureau (2011)
Emily Blunt has signed on to star opposite Joseph Gordon-Levitt and Bruce Willis in Rian Johnson’s Looper". Source: flickeringmyth.blogspot.com
"Michelle Williams strikes a sultry pose as Marilyn Monroe in this sneak-peek picture for her upcoming film My Week with Marilyn.
Williams, 30, plays the screen goddess during a week she spent in England when she escaped from Hollywood hangers-on and the pressures of her career.
The movie comes out in 2012.
Poster of Ryan Gosling and Kirsten Dunst in All Good Things (2010)
Michelle Williams and Ryan Gosling as Cindy and Dean in Blue Valentine (2010)
"I was born when you kissed me. I died when you left me. I lived a few weeks while you loved me.” -"In a lonely place" (1950)
The American Film Institute ranked Humphrey Bogart as the greatest male star in the history of American cinema, Entertainment Weekly selected him as "the greatest movie legend of all time." A few detailed biographies have been published since his death in January 14, 1957, one of the most complete written is "Bogart" by Ann Sperber and Eric Lax, full of revealing anecdotes. Humphrey DeForest Bogart was born on Christmas Day, 25th December 1899, in New York. Bogart's father, Belmont DeForest was a wealthy surgeon and his mother, Maud Humphrey (artistic director of "The Delineator" fashion magazine, she used Humphrey for a Mellin's baby food ad).
She suffered erisipela and her husband administrated her morphine; he injected it himself due to a traumatism. The Bogarts lived in an Upper West Side apartment on Riverside Drive next to the Brady family. A young Humphrey endures his first failed fling in the Canandaigua Lake with Grace Lansin, a theatre pal. In Fire Island Bogart kisses his first girlfriends. He'd sailed on the Comrade yatch.
The Santana yatch (which he bought in 1945) would be the Comrade replacement and his second home.
Louise Brooks (1906 – 1985)
Helen Menken (1901-1966)
Mary Philips (1901-1975)
Tired of his "white Pants Willie" roles and depressed after the deaths of his father Belmont and sister Kay, he had to pay off the family debts and prepare vigorously his next Hollywood assault.
His breakout happened in "The Petrified Forest" (1936), thanks to Leslie Howard's insistence. His performance was described as "superb", and his effort playing the criminal Duke Mantee as sheer "class" by The Hollywood Reporter. In 1937 (the year he divorces Mary Philips) he plays gangster Baby Face Martin in "Dead End" directed by William Wyler. His alley scene with Claire Trevor (nominated to Best Supporting actress) oozes despair, framed by Gregg Toland's gritty cinematography.
Mayo Methot (1904–1951)
Bogart played another outlaw in "High Sierra" directed by Raoul Walsh in 1941. According to Walsh, on the set of "They Drive by Night" (1940): "the salary was his only thrill." His role as Roy Earle in "High Sierra" was called "the twilight of the American gangster" by The New York Times. "I wouldn't give you two cents for a dame without a temper", Bogart says to Ida Lupino.
Irving Rapper (High Sierra's dialogue director) remembers Bogie infatuated with Ida. Lupino's husband reckoned this mutual attraction.
However, he could be shy shooting kiss scenes: in "The Maltese Falcon" by John Huston (1941), Bogart needed to repeat 7 takes. Mary Astor, who played the femme fatale betrayed by Sam Spade, explained that Bogart had a saliva trouble.
His final lowlife gangster role was in "The Big Shot" in 1942.
The same year he played Rick Blaine in the most romantic film ever: "Casablanca" directed by Michael Curtiz, Ingrid Bergman playing Ilsa Lund (inspired by the angelic Ilse from "Harz Journey" poem by Heine) which would catapult Bogie as a true movie star (even a sex-symbol) leaving behind his contract player status in Warner. Huston said Bogie wasn't a womanizer.
The next movie for Bogart that transformed him into a definitive legend was "The Big Sleep" (1946) by Howard Hawks, after "To Have and Have Not" (1944) the film based on a Hemingway's novel that featured Lauren Bacall's entrance into Bogart's romantic awakening.
Raymond Chandler, author of The Big Sleep novel, although he wouldn't help Hawks much about his famously complicated story plot, he praised Bogart's interpretation of Phillip Marlowe: "Bogart can be tough without a gun. Also, he has a sense of humor that contains that grating undertone of contempt".
Bogart divorced his washed-up third wife in 1945 and married Lauren Bacall at Luis Bromfield's Malabar Farm, on 21st May 1945. His relationship and marriage with Bacall is the most splendorous phase in Bogart's life; John Huston asked during an evening if somebody wanted to relive a part of their lives, only Bogart said: "When I was courting Betty [Bacall was born Betty Joan]".
The book by Sperber and Lax doesn't gloss over the more prosaic and obscure side of Bogart when they report his aggressions towards his wife Mayo, a long affair with his hairdresser Verita Thompson, and diverse remembrances:
his lucky Oxford shoes at Grauman's Chinese, Spencer Tracy (the first who calls him Bogey) etc., that shed light and shadows on Bogie's brumous personality, a special chapter covering his trip to Washington to defend the blacklisted artists in Hollywood (accused of communism by the House of Un-American Activities Committee for their support to the "New Deal"), brusquely finished with a benign declaration by Bogart (afraid of a boycott on his films and pressed by Jack Warner) that some participants as Larry Adler found insufficient.
On 22nd December 1947 Huston, Bogart, William Wyler, will denounce the terror and hysteria provoked by the HUAC. However, his previous press conference in Chicago (3rd December 1947) was the prevalent in Bogart's memory. Richard Brooks says Bogie was smart enough for anticipating this defeat; years later, Bogart confesses to Brooks how he had hoped to achieve more in his life, while they watched "A Star is Born", a film whose ending moved Bogie to tears. He had always complained of his enslaved early years acting in clinkers: "I made more lousy pictures than any actor in history."
Another vivid anecdote that finds Bogie at Gotham Hotel (waiting for Lauren Bacall's arrival to Grand Central Station, New York), in company of a Warner agent, exposes his self-consuming tension. Incapable of relaxing, Bogie forced his publicity agent to call a masseur three times in a row (who had to take the metro from Brooklyn).
"The combination of grandiosity, self-destructiveness, and panic with which Hollywood reacted to the audience's desertion is the subtext of Nicholas Ray's "In a Lonely Place" (1950), which is set in the jittery Hollywood of 1949." Bogart, playing a near-psychotic screenwriter says to restaurateur-conman Mike Romanoff, playing himself: 'How is business?', Romanoff: 'Like show business. There's no business'.
My favorite performance of Bogart is "In A Lonely Place" (1950) directed by Nicholas Ray, although his most renowned performances are "The African Queen" (awarded with an Oscar for his role Charlie Allnut), "The Treasure of the Sierra Madre", "The Caine Mutiny", and "Casablanca", all of them essential and unforgettable.
Very touching was his lasting performance as a torn sportswriter in "The Harder They Fall" who chooses to make a last act of goodness.
Bacall's memoirs book is an excellent recount of her romance with Bogart. "Never damage your own character", he taught Bacall, "Bogie, with his great ability to love, never supressing me, helping me to keep my values straight in a town where there were few, forcing my standards higher - To be good was more important than to be rich. To be kind was more important than owning a house or a car. To never sell your soul was most important of all".
Bogart is one of my best celluloid crushes, he embodies in the purest form a portrayal, a past master, "the stuff that dreams are made of" (a line he suggested to John Huston for "The Maltese Falcon").
