Rose McGowan and Robert Rodriguez promotioning "Red Sonja" (2008).


TAKING A WALK ON THE FILMIC SIDE, TRANSITING THE VINTAGE ROADS.
"Surely, promoting The Dark Knight was the perfect way for this indie princess to present her quirky personal style as a charming antidote to Hollywood’s cookie-cutter starlets. Instead, she gave us a fashion roller-coaster, sporting a schizophrenic range of looks that made us wonder if she threw them into her bags at random, possibly while blindfolded.
Maggie’s lone hit came at the Stateside premiere, to which she wore a gorgeous black flowered Dries Van Noten gown (above, center), with minimal accessories beyond the kind of shoulders that make us drop and do ten (okay … five) on the spot. -Note from Weirdland (Our collaborator Penny Lane knows Mr. Van Noten's secretary!)- That's the perfect modern, offbeat spin on a classic cut, and a great example of keeping it simple without being a snore.
So while we’d hoped to emerge from the shadow of The Dark Knight’s press onslaught refreshed by Maggie’s off-kilter charm and sassy style, here we are throwing up our hands and saying to ourselves, "I wonder what Katie Holmes would have worn if she'd stuck around?" The only firm statement these looks make is that Maggie favors an updo. And unless she’s hankering for an Us Weekly cover about her bobby-pin addiction, we hope she’ll consider a more all-around cohesive approach to her next summer-movie fashion spree. After all, if you want your clothes to make a statement, it's better if they're not speaking in tongues. —The Fug Girls
Nick's Schools:
Norah's Blog:Music: Duke Ellington, The Clash, The Jam, Beastie Boys, Ella, Belle & Sebastian, Minor Threat, Cesaria Evora, Merle Haggard, Green Day, Britney, Rancid, The Raveonettes, Q and Not U, Cat Power, Ash, Johnny Cash, Jimmy Eat World, Fugazi, Tenacious D, Paul Kelly, Fiona Apple, Charlie Rich, Elliott Smith, Ani DiFranco, Elvis Costello, Kirsty MacColl, Le Tigre, Beck, Lucinda Williams, Calexico, Shakira, Curtis Mayfield, Yo La Tengo, Architecture in Helsinki, Wilco, Dusty Springfield, The Shins, Nick Cave, Where’s Fluffy…and a million more probably
Movies: Team America, Rushmore, Jesus Is Magic, Back to the Future, Heathers, Ghost World, Eternal Sunshine of the Spotless Mind, Mad Hot Ballroom, Lost in Translation, 25th Hour, So I Married An Axe Murderer, Boogie Nights, Garden State, Spice World, Say Anything, The Sound of Music, South Park: Bigger, Longer & Uncut
Norah's Schools:
Listen to their Awkward date
“What the beginning, end or warp of time represents and means, is beyond me. In dreams, we go to a place, which runs on a different time clock. In this dreamland, time is not linear. The past, present and future are all one.”- Interpretation of "The persistence of the memory" DalĂ's painting by Cathy Lo. Source: interpretation.scene360.com
"Richard Kelly decides to go for the surrealist, so hippy-hop onto the train folks. This one’s bound for Dahli-wood.
To say nothing of the movie’s constant references to metaphysics, time travel and what Joss Whedon calls “The Sky Bully.” Source: chosis.coldfusionvideo.com
"Near the end of the movie, when the clock strikes midnight, the movie claims October 30 1988 (SIX HOURS REMAIN)
See at the beginning of the movie Frank the bunny calls Donnie out of his room, the clocks read midnight and the date given is, October 2 1988.
So the ambiguity is that at midnight on October 30th the movie says 6 hours left when Frank and the sequence of events indicate 7 hours are left and the website says fuckall. (”I will not be afraid!”) Why does all this matter? I wanted to create a clock that gave the countdown to October 30th on the hour of the Collapse of the “tangent universe”. But since I’ve been trying to figure all this out I’m now up way later then I wanted to be and I’m probably not going to make this stupid clock tonight. I’ve found only one other site confused about this, and they didn’t care. I guess they weren’t trying to make a clock". -Francis
Darko 28 Days Wall Clock













"This quirky comedy is about two loners who on a whim suddenly start dating as they head off on an evening adventure through New York City. Well, that's the best I can describe quickly, because it's actually about Norah asking Nick to be her boyfriend for five minutes and the ensuing adventure when they try and leave in Nick's piece of crap car. This actually looks pretty fun so I'm not going to start picking apart the story and the cast, instead, I'll just sit back and enjoy. In actuality, Michael Cera is always great and Kat Dennings looks like she'll hold her own as well, so why not? 
Nick and Norah's Infinite Playlist is directed by indie filmmaker Peter Sollett, of only Raising Victor Vargas previously, while the screenplay was written by newcomer Lorene Scafaria. The film is based on the novel of the same name written by Rachel Cohn and David Levithan. Sony Pictures will be releasing Nick and Norah's Infinite Playlist in theaters everywhere on Octoberd 3rd". Source: www.firstshowing.net
Talking about defuncted sites, you'll remember that fansite dedicated to Sarah Roemer, which was linked here with Weirdland. I hope that in the future someone constructs a new site devouted to Sarah, who thanked me personally (via email) for making my fan-videos for her.
Bye, Bye, WFW!!
"For those of you who have seen the 1959 classic Some Like it Hot, about two men who witness a mafia killing and then flee the city disguised as women to elude their chasers, Pineapple Express tells the same tale; with the exception that the two witnesses do not flee, only try to flee, from the neighborhood where the corrupted murder took place (and not dressed as women, but as unconscious stoners). Marijuana, the drug that makes our two main characters feel good, is illegal, but no one seems to pay attention to murderers, drug lords or crooked police officers.
Pineapple Express is produced by Judd Apatow - the recent sensation and rejuvenator of the comedy genre- as he once again disperses his patented “Apatow Touch,” which is the ability to make the male gender bond under the most uncommon of circumstances. Teaming the marijuana buyer/murder witness/subpoena giver, Dale Denton (Rogen) with the marijuana seller/doer, Saul Silver (Franco) paves the road for a succession of hilarious sequences, with some occasional dry spells, between the two as they flee from lady cops, two hit-men, a drug lord, Asians and other outrageous people who are only involved in making money.
Of course it produces laughs. But we don’t realize, until after we've left the cinema, just how subtle the film’s story is. That amidst the array of pot, explosions, sex and virgins, what the team of Apatow has created is a coming of age tale".
