Happy Anniversary, Barbara Stanwyck!

HAPPY ANNIVERSARY, BARBARA STANWYCK!!

“What those two [Frank Capra and Willard Mack] saw in me,” said Barbara, “I still don’t know.”

"Something is gone. They were beautiful, romantic films, not as stark and realistic as today’s, and I loved doing and watching them. Now we’ve matured and moved on." -Barbara Stanwyck on classic vs modern films

Despite Capra’s prediction, Barbara’s name for 'Ladies of Leisure' was not among those actresses singled out for their work for 1930. Nominated were Nancy Carroll (The Devil’s Holiday), Ruth Chatterton (Sarah and Son), Greta Garbo (Anna Christie), Norma Shearer (The Divorcee), and Gloria Swanson (The Trespasser). Shearer received the award for Best Actress. It was rumored that Metro had asked its employees in a memo to vote for Norma Shearer, Mrs. Irving Thalberg since 1927. Joan Crawford, Mrs. Douglas Fairbanks Jr., was quoted as saying, “What chance have I got? She sleeps with the boss.”

Capra rehearsed Barbara with the rest of the actors and crew of 'Forbidden' in a walk-through to go over the moves so the camera could follow her. The rehearsals were sketchy; Barbara spoke her lines, but they were barely audible. Ed Bernds, the head of the sound crew on the picture, who’d worked with Capra on three other pictures, described his rehearsals with Barbara as done at “half speed.” Barbara said, “I just ask the cameraman, in great humility, to please make me look human. You know, just make me look human, that’s all.” In the early days of sound, three cameras were used to help in the difficult process of cutting sound track. By the time 'Forbidden' was in production, sound track was easy to cut. “Capra wanted to keep [the shot] just long enough to hold the two actors,” said Bernds.

“And we followed Barbara as it became a two-shot when she was close to Bellamy.” Capra liked to shoot a lot of angles; they gave him flexibility in cutting. “The scene where Barbara shoots Bellamy is dynamite acting at a high intensity, very high intensity,” Bernds said. “[Barbara’s] voice was tough on sound because at times when she screamed, the Western Electric sound system went into a state of theoretically dangerous overload.”

During another bout with Frank Fay, Barbara ran to Joan Crawford’s North Bristol Avenue house. Joan and Barbara had shared New York days together when each was a floor show dancer in clubs. Joan kept a framed hand-tinted small photograph of Ruby Stevens (Barbara's birth name) from those early days when the high-kicking Billie Cassin, Shubert chorine with bangs and frizzy hair in the too-tight over-the-hip dresses, danced the Charleston, said Louise Brooks, like 'a lady wrestler' was now living in Brentwood, in a seven-room house, originally styled with grilled Spanish doorways and arches remade in a Georgian formal style. The house had been expanded to ten rooms, not including servants’ quarters, with a theater that seated twenty-five for Joan’s workshops of one-act plays, which she performed with her husband, Franchot Tone.

People watching Taylor and Stanwyck found them to be quiet, absorbed, sufficiently unto themselves. Bob was free from Irene Hervey; Barbara from Frank Fay. “We amused each other,” said Barbara. “We danced well together. We were good friends, had a marvelous time.” Bob was direct, open, and honest with Barbara. He appreciated her in big ways and little, was loving to her. After Fay, Bob seemed so normal to Barbara. He made it clear to those around them that he had great admiration for her. Two days out at sea aboard the Berengaria, Bob shouted into the radio telephone to Barbara, “Do you love me?” “Yes, I love you,” she shouted back. She had rushed home from the Ray Millands’ to get Bob’s call. Barbara was planning on leaving town as soon as she could.

She finished work on 'Breakfast for Two,' and 'Stella Dallas' opened in Los Angeles the following Monday. That Wednesday she and Holly Barnes flew to Sun Valley for a long weekend. 'Stella Dallas' had the biggest opening on record, beating 'A Star Is Born.'-"A Life of Barbara Stanwyck: Steel True 1907-1940" (2013) by Victoria Wilson