Friday, October 20, 2006
Maggie's Rencontre
Yesterday Jake and Maggie had a chance encounter for a drink at Industria Superstudio bar, Maggie looked angry at photographers but she has recovered her slim figure very quickly after giving birth. Another beautiful Jake's pal sitting in a tabouret, Natalie Portman in a bar a few years aago.
Walking with chick
Wednesday, October 18, 2006
New Award for Jake
As an awarded "gunman" (18 th October, at "The Americans for the Art's National Arts Awards" ceremony, pics of Jake by IHJ) Jake is on the point of shooting obstacles in his way to the Most Laureate Men by Film Industry Route -with permission of Randy Newman-, and if finally he isn't going to play Lance Armstrong, what about a screwball comedy on acid with master Robert Downey Jr. and Elisha Cuthbert as the hottie?
Still Alive
As you could figure out, I survived this recent convulsions attack, ER bouracratic flawed process and embarrasing side-effects. On a regular medication now (Lyrica, Xeristar) and I'll continue visiting more doctors and taking more medical exams, the EEG I took yesterday was negative for epileptic case, but I'm afraid of the next exams, really frightened and feeling down. Thanks a lot everybody who helped me with their best wishes and prayers, all of you have maintained my faith when it was weakening, and in my worst moments when most I needed it. Thanks from my heart.
Still alive and still hating the world.
Thursday, October 12, 2006
Jake Weird stops
Due to my current health problems. Yesterday night I suffered another convulsions crisis. Next weeks I'm gonna visit a neurologist and another specialists. I will have to stop blogging by now. From time to time I'll try to update something when I feel better (I barely can write). I hope to recover soon, but I'm feeling very weak at this point.
Sorry, folks. Kendra.
Wednesday, October 11, 2006
Waiting for Zodiac
"In the late 60's a serial killer in Northern California began sending the press letters and cryptograms. One cipher translated into a message that began "I like killing people because it is so much fun". These unsolved murders roughly inspired 1971's Dirty Harry and other films, but the story of the Zodiac Killer was ripe for a more faithful retelling. To deliver one, Fincher ("Figth Club") corralled material from those who lived through the terror; the resulting account stars Downey Jr. as "San Francisco Chronicle" reporter Paul Avery, and Gyllenhaal as cartoonist Robert Graysmith, who wrote two books about the case." [...]
-by Fred Schruers. Pictures and text by IHJ.
"The first hour or so of the film focused on the Zodiac murders. Each of these scenes are thrilling and terrifying – more so than most horror films released these days. These events and their aftermath introduce us to the various protagonists of the film. Jake Gyllenhall plays a cartoonist at the San Francisco Chronicle who takes interest in the case and wants to crack it Hardy Boys style. Robert Downey Jr. (always a pleasure) plays an editor at the Chronicle who publishes articles on the Zodiac murders. Mark Ruffalo and Anthony Edwards play the primary investigators working on the case. Each of these actors, as well as the many other wonderful actors that I was surprised to see pop up in the film, give absolutely excellent performances. This was the kind of work that makes you forget you’re watching actors and not the characters themselvesAs a result, the film is able to completely absorb you as a viewer into its world, and that’s always a good thing.
...The leads are Jake Gyllenhaal as Robert Greysmith a SF Chronicle cartoonist who spends much of the film following the Zodiac killings from the sidelines and Mark Ruffalo as David Toschi, the SF detective who’s leading the investigation. At various points, one man will dominate the film while the other will recede into the background for quite a bit of time as the film focuses on different approaches towards finding Zodiac.
Ruffalo’s always been a favorite of mine, but the shocker here is Gyllenhaal who I’ve never liked in anything till this. His boyishness really suits the character and it’s impressive just to watch how tired and haggard and paranoid he gets by the film’s end. We really watch him age in a very realistic way (as opposed to the porno ‘stache and bad wig in Brokeback Mountain). Gyllenhaal has a great scene w/ John Carroll Lynch in a paint store where almost nothing is said between them but it’s just such a startling and expressive moment of physical acting.
...The acting is superb. Mark Ruffalo and Anthony Edwards are great as detectives Toschii and Armstrong. Gyllenhaal is good, albeit a little too young, as cartoonist Robert Graysmith. Downey Jr. comes across well as a newspaper columnist writing for the San Fran Chronicle who has a drinking problem.
-MINOR SPOILER- To David Fincher:
Please put the line "I'm going to throw your baby out the window" back in the movie. I was waiting for that line and the gasp from the audience that would have followed but instead you robbed me and them of a wonderfully horrific moment. Re-edit that scene." (extracted from Aintitcool.com)
"I'd rather wake up in jail for a TB test than have to wake up another morning knowing I'm going to the set of US Marshals."
"I don't think you can take it seriously unless you joke about it. I'm suspicious of stoicism" (Robert Downey Jr. quotes)
“I think that no matter what, I always look for humanity, like I always look for a sense of hope. It can be in the bleakest story but I don’t buy total perversity, utter perversity without hope.” (Jake Gyllenhaal Source: Netribution.co.uk)
Tuesday, October 10, 2006
Paris Je t'aime
"This city can change your mood completely,” said the director Sofia Coppola as we walked down Rue Madame in the Sixth Arrondissement of Paris. During the filming of “Marie Antoinette,” which will arrive in theaters on Oct. 20, she lived in a rented apartment on the Boulevard Saint-Germain, two doors from the famous Café de Flore.
Sofia stopped at Odorantes, a tiny flower shop that specializes in bouquets that are organized by scent rather than by color. Bouquets in Paris, unlike floral arrangements in America, usually consist of one flower or one hue. “I found this shop by wandering through the neighborhood,” she said, while waiting outside for the flowers to be arranged. “When I shop, it’s not so much about buying. Whether you get something or not, when you go in a store, you see what Paris is like.”
For a few days last May, I accompanied Sofia through several Paris neighborhoods: the Marais, the Rue du Faubourg St.-Honoré, the Palais Royale. We visited the restored Museé de l’Orangerie to see the Monet waterlilies in their original home, and we gazed into the Seine from the Pont Neuf, but, mostly, we shopped as if we were engaged in a kind of sociological study of French customs and style.
Near the Place Vendôme, Sofia stopped at the custom shirtmaker Charvet, where she was having some of her mother’s Yves St. Laurent shirts from the 1970’s recreated as silk dresses. We went to the luggage store Goyard and admired the classic trunks that once belonged to the Duchess of Windsor. At Dary’s, a jewelry shop that specializes in antique pieces, Sofia tried on an aquamarine ring from the 20’s, and at Hermès, we watched the other customers in the large, crowded store compete for the privilege of buying their coveted handbags. At Benneton Graveur, she studied the engraved stationery, particularly a notecard topped by a French and an American flag. Sofia is expecting her first baby in December with her boyfriend, Thomas Mars, the singer in the band Phoenix. Mars is from Versailles, and Sofia plans to have the baby in Paris, where the couple have just purchased an apartment. “This card will be perfect,” she said, admiringly.
In the Marais, we went to K. Jacques, a tiny shop that specializes in all types of classic leather sandals. The simplicity of the shoes immediately conjured up images of sunning in St.-Tropez. We stopped at a vintage magazine and bookstore called Les Archives de la Presse, which Sofia discovered while she was filming Marie Antoinette’s birthday party at the National Archives nearby.
Sofia first considered making a film about Marie Antoinette during a dinner at Chez Omar, one of her favorite restaurants in the Marais. Dean Tavoularis, the Oscar-winning production designer, who has worked extensively with her father, had researched that period for a movie he didn’t end up doing, she explained. “And he started telling me things about Marie Antoinette, like how young she was and her weird relationship with her husband, Louis. I’ve always been interested in the 18th century, and the story behind her persona intrigued me.”
In many ways, the finished film is an homage to all things Français, from the perfection of the period costumes and wigs to the clashing modernity of the post-punk 80’s soundtrack. Just as “Lost in Translation,” Sofia’s previous film, captured the beautiful strangeness of Japan, “Marie Antoinette” is a glimpse into the sense of refinement that still exists in Paris. “I have always been influenced by French films,” said Sofia, as she paid for the extraordinarily fragrant purple-pink roses that took 20 minutes to arrange. “I remember seeing ‘Breathless’ as a teenager and liking that not everything was explained. In American movies, you have to explain everything. The French leave things a little mysterious.”
Sofia walked toward the river and peered into the windows of various antiques shops, looking for a chandelier for her new apartment. She went past a vintage shop on a tiny street, but it was closed. In the window was a slinky black jersey Jean Muir dress displayed on a mannequin. The Cannes Film Festival was in a few days, and Sofia was looking for gowns. “I like that in Paris, you have to get it together,” she said. “It’s nice to see people dress up for dinner. After I interned at Chanel in the 80’s, I went back home to my little town in the Napa Valley, but I was changed forever. Everyone thought I was strange because I was getting French Vogue.”
After writing down the peculiar hours of the vintage shop, Sofia headed to the Jardin du Luxembourg. “My father was so taken with this place that he built a little fountain in Napa based on the fountain here,” she said, as she walked down the wide gravel path that leads to the heart of the garden. She motioned to a bench. “This place has always been emotional for me.” Right before she was about to get married to Spike Jonze (now her ex-husband), and before her first movie, “The Virgin Suicides,” was shown in Cannes, the stress had got to her: “I just sat here and cried.” She would come here while filming “Marie Antoinette” when she had serious things on her mind. “The beauty of this garden would always reassure me,” she said. “Paris has a way of restoring your faith.”
SOFIA'S ADDRESS BOOK
Shops
Azzedine Alaïa Boutique and shoe store. 4 Rue de Moussy; 011-33-1-42-72-19-19.
Benneton Graveur Stationery. 75 Boulevard Malesherbes; 011-33-1-43-87-57-39.
Bois de Rose Classic smock dresses for girls. 30 Rue Dauphine; 011-33-1-40-46-04-24.
Bonpoint Children’s clothes. 320 Rue St.-Honoré; 011-33-1-49-27-94-82. Go to www.bonpoint.com for more locations.
Galerie 213 Sofia especially likes the photo books. 58 Rue Charlot; 011-33-1-43-22-83-23.
Charvet Custom shirts and more. 28 Place Vendôme; 011-33-1-42-60-30-70.
Clignancourt Flea Market Sofia shops here for furniture. Porte de Clignancourt (Sat.-Mon.).
Dary’s Antique jewelry. 362 rue St.-Honoré; 011-33-1-42-60-95-23.
Deyrolle Taxidermy in a beautiful space. 46 Rue du Bac; 011-33-1-42-22-30-07.
Didier Ludot Vintage couture. 20-24 Galerie de Montpensier; 011-33-1-42-96-06-56.
Pharmacie Homeopatique Weber For beauty products not available at home. 8 Rue de Capucines; 011-33-1-42-61-03-07.
Free “P” Star Vintage clothing. 8 Rue Ste.-Croix-de-la-Bretonnerie; 011-33-1-42-76-03-72.
Goyard Classic luggage. 233 Rue St.-Honoré; 011-33-1-42-60-57-04.
Hermès Sofia shops here for notebooks and bags. 24 Faubourg St-Honoré; 011-33-1-40-17-47-17.
Jöelle Ciocco Skin care. 8 Place de la Madeleine; 011-33-1-42-60-58-80.
K. Jacques Leather sandals. 16 Rue Pavee; 011-33-1-40-27-03-57.
Lanvin Albert Elbaz’s take on French tradition. 22 Rue du Faubourg St.-Honoré; 011-33-1-44-71-31-73.
Les Archives De La Presse Vintage magazines. 15 Rue des Archives; 011-33-1-42-72-63-93.
Marc Jacobs Palais Royal, 34 Rue de Montpensier; 011-33-1-55-35-02-60.
Odorantes Flowers. 9 Rue Madame; 011-33-1-42-84-03-00.
Pierre Hardy One-of-a-kind shoes. Jardins du Palais Royal, 156 Galerie de Valois; 011-33-1-42-60-59-75.
Sabbia Rosa Lingerie. 73 Rue des Sts.-Pères; 011-33-1-45-48-88-37.
Serge Lutens Perfume. Les Salons du Palais Royal Shiseido, Jardins du Palais Royal, 142 Galerie de Valois; 011-33-1-49-27-09-09.
Restaurants and Bars
Café de Flore Centuries-old artiste hangout. 172 Boulevard Saint-Germain; 011-33-1-45-48-55-26.
Le Castiglione Known for its cheeseburgers. 235 Rue St.-Honoré; 011-33-1-42-60-68-22.
Chez Allard Famed old bistro noted for poulet de bresse. 41 Rue St.-André des Arts; 011-33-1-43-26-48-23.
Chez Omar Excellent couscous, exceptionally popular. 47 Rue de Bretagne; 011-33-1-42-72-36-26.
Gerard Mulot Pastries and chocolate. 76 Rue de Seine; 011-33-1-43-26-85-77.
Bar Hemingway Classic bar with great cocktails. Hotel Ritz Paris; 15 Place Vendôme; 011-33-1-43-16-33-65.
Ladurée Historic tea salon beloved for its macaroons. 16 Rue Royale; 011-33-1-42-60-21-79. Go to www.laduree.fr for more locations.
Le Voltaire Chic bistro on the river. 27 Quai Voltaire; 011-33-1-42-61-17-49.
Mathis Supertrendy bar. 33 Rue de Ponthieu; 011-33-1-53-76-39-55.
extracted from "The New York Times" /Travel Section, article courtesy of Penny Lane.
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